山西抗日根据地木刻版画创作特征初探

发布时间：2018-07-04 21:27

本文选题：山西抗日根据地 + 木刻版画　；参考：《山东大学》2017年硕士论文

【摘要】：抗日战争时期,民族的独立与解放是中国人民面临的最紧要的政治课题,是关于中华民族生死存亡的历史现实。中华民族全民奋勇抗战,中国文艺工作者也从"为艺术而艺术"的象牙塔走出来,用文艺的武器毅然的投身到民族独立和解放的战争中去。其中,山西抗日根据地的木刻版画作为宣传抗战、凝聚民族斗志的重要武器被高度重视。山西作为抗日战争时期的战略重地,以其独特的地理位置和浓郁的黄土文化,占尽了天时、地利、人和之优势,使其成为全国抗日美术的中心。本文以对抗战时期山西根据地木刻版画代表性作品的思想、艺术分析为基础,着力围绕山西抗日根据地木刻艺术在抗战过程中所形成的大众化和民族化的创作特征进行论述。论文通过四个章节对山西抗日根据地木刻版画创作进行深入研究和分析。首先,从山西抗日根据地木刻版画创作的"火种"——新兴木刻版画开始,大致梳理概括了新兴木刻的诞生、影响和山西抗日根据地木刻版画的活动。通过对晋冀豫、晋察冀和晋绥根据地的木刻版画活动,系统的了解山西木刻工作者创作实践的过程。其次,对山西抗日根据地木刻版画创作特征的成因进行探讨分析,进而全面认识山西抗日根据地木刻版画与产生它的历史、政治、地域环境、美术传统的关系。然后,通过表达内容和表现形式两个方面对山西抗日根据地木刻版画的创作特征进行探究,选取山西抗日根据地木刻版画中最具典型性的作品进行分析。由此,进一步论述山西抗日根据地木刻工作者从早期单纯的复制模仿,形成欧化木刻,经过点点滴滴的积累创作和探索,深入生活、深入群众,汲取黄土文化中的民间美术形式,直到发展成具有民族化、大众化的木刻艺术。并且在此基础上对山西抗日根据地木刻版画艺术性和革命性完美结合的的特征做进一步的阐述。最后,在前文研究的基础上,对山西抗日根据地木刻版画的历史影响进行总结,主要从木刻版画宣传抗战、凝聚民族斗志的重要作用和推动新年画的发展进行论述,体现了山西抗日根据地木刻版画的社会价值和艺术价值。山西抗日根据地木刻版画在中国现代美术史上占有重要的地位,这就要求我们对山西抗日根据地版画创作特征的研究,必须结合抗日战争的历史背景去认识,只有在这种特殊的背景下,山西抗日根据地木刻艺术的历史价值和艺术价值才能体现出来。这对于当代中国美术事业的蓬勃发展,具有深刻的启示作用和指导意义。
[Abstract]:During the War of Resistance against Japan, the independence and liberation of the nation was the most important political issue faced by the Chinese people and the historical reality of the survival of the Chinese nation. The Chinese people bravely fought the war, and Chinese literary and art workers stepped out of the ivory tower of "Art for Art" and resolutely threw themselves into the war of national independence and liberation with the weapons of literature and art. Among them, the woodcut prints of Shanxi anti-Japanese base area as propaganda and anti-Japanese war, the important weapon of national fighting spirit is highly valued. Shanxi, as a strategic place in the period of the Anti-Japanese War, with its unique geographical position and rich loess culture, occupied the advantages of weather, geographical location and human harmony, which made Shanxi become the center of anti-Japanese art in the whole country. Based on the thought and art analysis of the representative works of woodcut in Shanxi base area during the Anti-Japanese War, this paper focuses on the popular and nationalized creative characteristics of woodcut art in Shanxi Anti-Japanese Base area in the course of the War of Resistance against Japan. The paper through four chapters of Shanxi anti-Japanese base area woodcut print creation in-depth research and analysis. First of all, from Shanxi anti-Japanese base area woodcut engraving creation "fire"-emerging woodcut engraving, roughly summarized the birth of emerging woodcut, influence and Shanxi anti-Japanese base area woodcut printing activities. Through the woodcut engraving activities of Shanxi and Hebei, Shanxi and Chaji and Shanxi and Suiyuan base areas, we systematically understand the process of Shanxi woodcut workers' creative practice. Secondly, this paper probes into the causes of the creation characteristics of woodcut prints in Shanxi Anti-Japanese Base area, and then fully understands the relationship between woodcut prints and the history, politics, regional environment and fine arts tradition of Shanxi Anti-Japanese Base area. Then, through the expression content and the expression form two aspects carries on the research to the Shanxi anti-Japanese base area woodcut engraving creation characteristic, selects the Shanxi anti-Japanese base area woodcut engraving the most typical work to carry on the analysis. As a result, it is further discussed that wood engraving workers in Shanxi's anti-Japanese base areas copied and imitated in the early days, formed Europeanized wood carvings, created and explored little by little, went deep into life and the masses, Drawing on the folk art form of loess culture until it developed into a nationalized and popular woodcut art. And on this basis of Shanxi anti-Japanese base area woodcut engraving art and revolutionary perfect combination of the characteristics of further elaboration. Finally, on the basis of the previous study, this paper summarizes the historical influence of woodcut printmaking in Shanxi anti-Japanese base area, mainly discusses the important role of woodcut print in propagating the War of Resistance against Japan, condensing the national fighting spirit and promoting the development of New year's Pictures. It embodies the social value and artistic value of woodcut prints in Shanxi anti-Japanese base area. Woodcut printmaking in Shanxi's anti-Japanese base area occupies an important position in the history of modern Chinese art, which requires us to study the creative characteristics of the woodcut in Shanxi's anti-Japanese base area, which must be understood in the light of the historical background of the Anti-Japanese War. Only in this special background, the historical value and artistic value of woodcut art in Shanxi anti-Japanese base area can be reflected. This for the flourishing development of contemporary Chinese art, has a profound enlightening role and guiding significance.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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