论严歌苓小说的“错位归属”

发布时间：2018-10-15 11:26

【摘要】：被称为"翻手为苍凉,覆手为繁华"的严歌苓是新移民文学的代表性作家,其小说以刚柔并济、极具美感的凝练语言、犀利多变的写作视角和叙事的艺术性为内在依托,具有极高的艺术审美价值。本论文将以美籍华裔女作家严歌苓的小说为研究对象,通过对其小说文本的分析,对其小说世界作整体的审美把握,透视其小说中蕴含的"错位归属"意识,并结合作家的人生经历挖掘背后的根源,以解读严歌苓独特的创作品质与审美诉求,探讨作家对"归属感"的永恒追求。"错位归属"的概念是严歌苓在长篇小说《花儿与少年》的自序中提出的,是对处于中西文化夹层中的新移民身体和心灵都无所归属的生存状态做的批注。笔者在阅读中发现,严歌苓总是给笔下人物寻找一种特殊环境,在极端的情境中表现人物的身份错位、人性错位、文化错位、情感错位。在多次出现类似的故事情节后,"错位归属"已成为严歌苓的一种创作范式,具体体现在"边缘情境下的边缘人"的创作题材与"审丑"的审美标准。从作品追溯到创作主体,严歌苓本身的经历使她能够站在两种文化的边际地带审视并思考在全球化背景下,因为人口频繁流动在文化交流中产生的多种问题。在一次次的创作实践后,"错位归属"已升华为严歌苓的一种创作意识,她借助于作品中的人物,倾吐自己的心声,对"错位后如何归属"进行不懈思考。本论文分成五个章节来展开对严歌苓小说中"错位归属"的阐释。第一章从横向和纵向两个方向出发,在空间和时间的坐标系中对严歌苓笔下人物的人性错位进行解说,重点探讨了在严歌苓笔下人物在特定时空中遭遇的生存困境和心灵扭曲。第二章从语言的错位、习俗的错位、思维方式的错位三个方面分析了严歌苓笔下的新移民在西方遭遇的文化错位。第三章论述了严歌苓小说中情爱伦理关系的三种错位模式:疏离与压抑的情爱、乱伦禁忌与同性错爱。第四章从严歌苓自身的漂泊经历、审美倾向、创作理念三个方面来阐述严歌苓写"错位归属"之由。第五章的第一节与第二节从多元文化视阈以及对中国传统文化的回望追寻探讨严歌苓对"从错位中寻找归属"的努力,第三节对严歌苓此类作品的创作局限进行简要的论述。
[Abstract]:Yan Geling, known as "turning his hands into desolation, turning her hands into prosperity", is a representative writer of the new immigrant literature. His novels are based on the condensed language of tenderness and aesthetic feeling, the sharp and changeable writing perspective and the artistry of narration. Has the extremely high artistic esthetic value. This thesis will take Yan Geling's novel as the research object, through the analysis to its novel text, to make the overall esthetic grasp to its novel world, to see through the consciousness of "misplaced attribution" contained in his novel, this thesis will take the Chinese American female writer Yan Geling's novel as the research object. Combined with the writer's life experience, the author excavates the root cause, in order to interpret Yan Geling's unique creative quality and aesthetic appeal, and probe into the author's eternal pursuit of the "sense of belonging". " The concept of misplaced ascription "was put forward by Yan Geling in the preface of the novel" Flower and adolescence ", which is an endorsement of the living state of the new immigrants who are in the middle of the Chinese and Western cultures. The author finds in reading that Yan Geling is always looking for a special environment for the characters in her works. In the extreme situation, he shows the identity dislocation, human nature dislocation, cultural dislocation and emotional dislocation. After many similar storylines appear, "misplaced attribution" has become a creative paradigm of Yan Geling, which is embodied in the theme of "marginal people" and the aesthetic standard of "judging ugliness". From the works to the creative subject, Yan Geling's own experience enables her to examine and think in the marginal zone of the two cultures under the background of globalization, because of the various problems arising from the frequent population flow in the cultural exchange. After repeated creative practice, "misplaced attribution" has been sublimated into Yan Geling's creative consciousness. With the help of the characters in her works, she poured her heart out and thought about "how to belong after misplacing". This thesis is divided into five chapters to explain the misplacement in Yan Geling's novels. In the first chapter, from the horizontal and vertical directions, in the space and time coordinate system, the author explains the human nature dislocation of the characters in Yan Geling's works, and focuses on the existence dilemma and spiritual distortion encountered by the characters in Yan Geling's works in the special time and space. The second chapter analyzes the cultural dislocation of new immigrants in the West from three aspects: language dislocation, custom dislocation and thinking mode dislocation. The third chapter discusses three modes of love ethics in Yan Geling's novels: estrangement and repressed love, incest taboo and same-sex mislove. The fourth chapter expounds the reason of Yan Geling's misplacement from three aspects: Yan Geling's drifting experience, aesthetic tendency and creative idea. The first and second sections of the fifth chapter from the perspective of multiculturalism and the search for Chinese traditional culture; Yan Geling's efforts to "seek ownership from misplacement"; the third section briefly discusses the limitations of Yan Geling's creation of this kind of works.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I712.074

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