现代山水画构成与写生关系
发布时间：2018-12-12 23:50
【摘要】：本文主要以新中国成立,二十世纪以来中国山水画,在时代改革创新精神的召唤下,以毛泽东思想社会主义理论的指引,通过历史唯物主义的指导精神,来描绘二十世纪的新中国在思想、文化方向上的转变,反应人民群众在新环境下的生活环境,歌颂美好的大自然,歌颂我们的党。通过这样的梳理,就是要深刻认识中国山水绘画的发展脉络,在新时代语境下的构图方式、描绘内容与方法以及表达出的人文精神。通过阐述20世纪以来典型性代表画家的作品风貌创作背景,并结合自身创作实践来阐述现代山水绘画的构成图示,和以写生为主要手段的创作模式在当下的指导意义。20世纪中国山水画通过写生改造和创新的过程中,正接受着来自西方的艺术观念,立体主义、后印象派、原始主义和抽象表现主义等图示语言、明暗、色彩冷暖、体面关系等都正在潜移默化的影响中国画家在作品中有别于过去任何时代的构图形式,而通过地域性又形成了京津、江南、西北和岭南等群体。山水画家将自身对于大自然的真实感受和建国以来接受的西方科学观察法的训练,有效的将自然山川美景转化为笔墨语言,而在意境的营造和锤炼做到了可观性与主观性的统一,并且风格形式等呈现多样化的态势,这些无疑为现代山水的改革与创新提供了有效的途径。但是,不可否认的是,新山水画在延续20世纪初期以科学主义的素描、色彩及透视原理下付出了丧失中国传统文化精神下对于山水绘画的品评标准。这些都值得深思也唯有视山水绘画为文化,回归名族精神的母体中,才会更好将中国山水绘画呈现在国人和世界面前。
[Abstract]:This article is mainly based on the founding of New China, Chinese landscape painting since the 20th century, under the call of the spirit of innovation and reform of the times, under the guidance of the socialist theory of Mao Zedong thought, and through the guiding spirit of historical materialism. To describe the new China in the 20th century in the ideological and cultural changes, reflecting the people's living environment in the new environment, eulogizing the beautiful nature, eulogizing our party. Through such combing, it is necessary to deeply understand the development of Chinese landscape painting, the way of composition, the description of content and method, and the humanistic spirit expressed in the context of the new era. By expounding the background of the representative painters' style and features since the 20th century, and combining their own creative practice, this paper expounds the composition of the modern landscape painting. Chinese landscape painting in the 20th century through the process of sketch transformation and innovation, is receiving from the Western artistic concepts, cubism, post-impressionism, Primitive and Abstract Expressionism and other graphic languages, light and shade, warm and cold colors, decent relations, etc., are all exerting a subtle influence on the composition forms of Chinese painters in their works that are different from those of any previous era, and have formed Beijing and Tianjin through regionalism. Jiangnan, northwest and Lingnan groups. Landscape painters will have their own true feelings of nature and the training of western scientific observation methods received since the founding of the people's Republic of China, effectively transforming the beautiful scenery of natural mountains and rivers into ink and pen language. However, the unity of observability and subjectivity in the construction and exercise of artistic conception and the diversification of style and form provide an effective way for the reform and innovation of modern landscape. However, it is undeniable that the new landscape painting in the beginning of the 20th century with the scientific sketch, color and perspective principle to pay for the loss of the spirit of traditional Chinese culture for landscape painting evaluation standards. All these are worth pondering and only if we regard landscape painting as culture and return to the mother body of the national spirit can we better present Chinese landscape painting in front of Chinese people and the world.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212
本文编号：2375469
[Abstract]:This article is mainly based on the founding of New China, Chinese landscape painting since the 20th century, under the call of the spirit of innovation and reform of the times, under the guidance of the socialist theory of Mao Zedong thought, and through the guiding spirit of historical materialism. To describe the new China in the 20th century in the ideological and cultural changes, reflecting the people's living environment in the new environment, eulogizing the beautiful nature, eulogizing our party. Through such combing, it is necessary to deeply understand the development of Chinese landscape painting, the way of composition, the description of content and method, and the humanistic spirit expressed in the context of the new era. By expounding the background of the representative painters' style and features since the 20th century, and combining their own creative practice, this paper expounds the composition of the modern landscape painting. Chinese landscape painting in the 20th century through the process of sketch transformation and innovation, is receiving from the Western artistic concepts, cubism, post-impressionism, Primitive and Abstract Expressionism and other graphic languages, light and shade, warm and cold colors, decent relations, etc., are all exerting a subtle influence on the composition forms of Chinese painters in their works that are different from those of any previous era, and have formed Beijing and Tianjin through regionalism. Jiangnan, northwest and Lingnan groups. Landscape painters will have their own true feelings of nature and the training of western scientific observation methods received since the founding of the people's Republic of China, effectively transforming the beautiful scenery of natural mountains and rivers into ink and pen language. However, the unity of observability and subjectivity in the construction and exercise of artistic conception and the diversification of style and form provide an effective way for the reform and innovation of modern landscape. However, it is undeniable that the new landscape painting in the beginning of the 20th century with the scientific sketch, color and perspective principle to pay for the loss of the spirit of traditional Chinese culture for landscape painting evaluation standards. All these are worth pondering and only if we regard landscape painting as culture and return to the mother body of the national spirit can we better present Chinese landscape painting in front of Chinese people and the world.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212
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1 胡家琪;现代山水画构成与写生关系[D];湖北美术学院;2015年
，本文编号：2375469
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