浅谈自然丘壑、胸中丘壑与笔墨丘壑的转换成因

发布时间：2018-02-27 13:00

本文关键词： 自然丘壑胸中丘壑笔墨丘壑　出处：《中国美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：“自然丘壑”是能用我们的感官触摸到的,具有物性的形、色、质组构成的空间关系,其中的四季、四时之变化,直接影响我们对它的感应。它是源,其它丘壑都依此源而展开自己的变化。“胸中丘壑”是我们感官无法触及到的,是一个画家以“自然丘壑”为基础,注入自己的心性和情感等因素,形成意象感知的“丘壑”。而“笔墨丘壑”正是中国画核心价值的取向,是自然丘壑、胸中丘壑的升华,它不仅仅是物象的“造型手段”,或是隶属于某一画家个性表现,更是时代文化背景下的民族精神的体现。从自然丘壑到胸中丘壑与笔墨丘壑,这是一个中国画家必然要关注的变化过程,虽然都是“丘壑”,但其中的内涵与赋与画家的意义却不尽相同。所以,明辨其中的区别与作用,对我们选择进行针对性的学习方式就提供了很好的依托。
[Abstract]:The "natural mound" is a spatial relationship that can be touched by our senses and has physical forms, colors, and qualitative groups, in which the changes of the four seasons and the four seasons directly affect our perception of it. It is the source. All the other moutains have developed their own changes from this source. "the mound in the chest" is something that our senses cannot reach. It is a painter who, based on "natural moutains," infuses his own heart and feelings, and so on. It is the core value orientation of Chinese painting, the sublimation of natural mound and mound in the chest. It is not only the "modeling method" of the object image, or it belongs to the individual character of a certain painter. It is also the embodiment of the national spirit under the background of the times culture. From the natural mound to the inner mound and brush mound, this is a changing process that Chinese painters must pay attention to. Although all of them are "moutains," the connotations and the significance of giving painters are different. Therefore, Discerning the difference and function provides a good basis for us to choose the targeted learning method.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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