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山水画皴法的历程与笔墨语言

发布时间:2018-08-11 21:23
【摘要】:本文通过对山水画皴法历程的探究,找出了皴法在不同时代不同阶段的特征与各个时代画家对于皴法语言的理解与运用,发现随着皴法的发展,,其象物功能逐渐地减弱,而笔墨表现力却不断的增加,证明了皴法的历程其实就是一部笔墨的发展史。接着具体的论述了皴法的笔墨形式。最后根据皴法历程中笔墨的不断发展以探究其根源,发现皴法笔墨形式发展是由历史原因与画家的思想情感所导致的。并以此探究出未来皴法的发展方向,得出皴法发展的方向应是更为强烈的笔墨表现力的结论。
[Abstract]:Based on the exploration of the process of texturing in landscape paintings, this paper finds out the features of texturing in different periods and the understanding and application of the language of texturing in different times. It is found that with the development of texturing, the function of texturing gradually weakens. And ink expression is constantly increasing, proving that the process of chapping is actually a history of ink. Then, the paper discusses the form of ink and pen of chapping method concretely. Finally, according to the continuous development of brush and ink in the process of texturing, it is found that the development of brush and ink form is caused by historical reasons and painters' thoughts and feelings. The development direction of chapping method in the future was explored, and the conclusion that the development direction of chapping method should be stronger expression of pen and ink was concluded.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212

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