笪重光“空境”与“实境”绘画理论研究
发布时间：2018-08-13 18:28
【摘要】：在中国传统绘画理论的背景下,清代是一个非常重要的时期,文人情怀尤被重视,在其间的创作及理论比比皆是。笪重光作为文人画家,不仅在书画创作上形成了自己独特的风格,在理论上的贡献更是极为突出。他的《画筌》是具有重要学术价值的理论书籍,记述了他对创作的心得和体会。他的革新勇气和独创精神在这本著作中得到了理论体现。本文以笪重光及其《画筌》作为研究对象,力图深入探讨他的巨作《画筌》中的“实境”与“空境”的美学思想。笪重光在《画筌》中不仅详细的阐释了技法、笔墨等在绘画中的重要性,还独具创新的提出了“实境”的塑造是为了能够更好的呈现出“空境”。在《画筌》中,笪重光主要阐述的是如何通过绘画技法的突破更好地塑造“实境”的问题。而“实境”与“空境”密不可分。他主张“实景清而空景现”,重点强调塑造“实境”的重要性。本文以《画筌》作为切入点,不仅仅是从概念和范畴的角度去研究,也不仅仅是研究“空境”与“实境”对于绘画创作以及绘画实践的意义,而是力图将“空境”与“实境”的问题放置于清初画坛中,讨论二者对美术史发展的意义和影响,力图还原一个革新和独创的绘画理论家的形象。
[Abstract]:Under the background of Chinese traditional painting theory, the Qing Dynasty was a very important period. As a literati painter, Da Zhongguang not only formed his own unique style in calligraphy and painting creation, but also made outstanding contributions in theory. His painting Quan is a theoretical book of great academic value. His innovative courage and originality are theoretically embodied in this work. In this paper, Gala Guang Guang and his painting Quan are taken as the object of study, in order to probe into the aesthetic thoughts of "reality" and "emptiness" in his masterpiece "Quan". Bazaoguang not only explains in detail the importance of techniques, strokes and ink in painting, but also puts forward the creation of "reality" in order to better present the "empty state" in "painting Quan". In "Quan painting", the Gala Gala is mainly about how to better shape the "reality" through the breakthrough of painting techniques. And "reality" and "emptiness" are inseparable. He advocated that "the real scene is clear and empty", emphasizing the importance of shaping the "reality". This paper takes Quan as a starting point, not only from the perspective of concept and category, but also to study the significance of "empty" and "reality" to painting creation and practice. Instead, it tries to put the problems of "emptiness" and "reality" in the painting world in the early Qing Dynasty, discusses their significance and influence on the development of art history, and tries to restore the image of an innovative and original painting theorist.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2181818
[Abstract]:Under the background of Chinese traditional painting theory, the Qing Dynasty was a very important period. As a literati painter, Da Zhongguang not only formed his own unique style in calligraphy and painting creation, but also made outstanding contributions in theory. His painting Quan is a theoretical book of great academic value. His innovative courage and originality are theoretically embodied in this work. In this paper, Gala Guang Guang and his painting Quan are taken as the object of study, in order to probe into the aesthetic thoughts of "reality" and "emptiness" in his masterpiece "Quan". Bazaoguang not only explains in detail the importance of techniques, strokes and ink in painting, but also puts forward the creation of "reality" in order to better present the "empty state" in "painting Quan". In "Quan painting", the Gala Gala is mainly about how to better shape the "reality" through the breakthrough of painting techniques. And "reality" and "emptiness" are inseparable. He advocated that "the real scene is clear and empty", emphasizing the importance of shaping the "reality". This paper takes Quan as a starting point, not only from the perspective of concept and category, but also to study the significance of "empty" and "reality" to painting creation and practice. Instead, it tries to put the problems of "emptiness" and "reality" in the painting world in the early Qing Dynasty, discusses their significance and influence on the development of art history, and tries to restore the image of an innovative and original painting theorist.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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