中西人物肖像画写实性的变迁之比较研究
发布时间：2018-08-13 21:31
【摘要】：肖像画要求真实地描绘出一个人的相貌与特征，使描绘对象具有较强的辨识度。在肖像画的创作过程中更是向创作者提出了对形与神准确把握的双重要求。中西文化的差异决定了中西绘画结构语言的不同特质，在肖像画发展的道路上，二者的绘画风格迥异却各具特色。随着中西艺术交流的不断深入，双方在绘画艺术领域的思想频繁交流、相互碰撞，在此过程中两者在寻求创新变革的探索之路上，对彼此的艺术都有过或多或少的借鉴，力求通过对异域艺术的观念或样式的借鉴激发出自身的创作灵感，走出了各自在肖像画写实性变迁的特色之路。 本文旨在通过对中西双方肖像画艺术的比较研究，重温其发展变化的历程，并在比较的过程中归纳出中西肖像画写实性变迁的规律和特点，从而为当代人物肖像画艺术创作更好地适应时代变化和发展以及探寻全新的肖像画艺术呈现方式提供一定的借鉴和参考价值。文章首先分别介绍了中西肖像画产生的历史渊源；其次叙述了历史上较为重要时期中西肖像画各自的发展情况；接着笔者按照中西肖像画的萌生期、发展时期、鼎盛时期以及转型时期为时间线索，分别挑选了中西肖像画历史中具有一定代表性的可比性艺术作品，进行了细致的比较分析从而归纳总结出在肖像画写实性发生变化的过程中，中西双方艺术的审美趣味、造型特点和色彩偏好；在文章的最后笔者提出了当代写实性肖像画存在的艺术价值。 在艺术发展的现实道路上，想要实现蜕变必然会是漫长的过程，如何让肖像画的写实特质在新时代的背景下完成全新的嬗变，这是绘画学习者们一直要思索的问题。比较会让我们发现异同，也会让我们找到全新的切入点，在通过“他人”找到“自我”的路途中，，我们更应该发挥出中国绘画传统的优势和特长，让变革更新在保持传统的基础上变得更加有意义。
[Abstract]:Portrait painting requires a true description of a person's appearance and characteristics, so that the object of description has a strong degree of recognition. In the process of the creation of portrait painting, the author has put forward the double requirement of accurate grasp of form and spirit. The differences between Chinese and Western cultures determine the different characteristics of the structural languages of Chinese and Western paintings. On the way of the development of portrait painting, their painting styles are quite different but have their own characteristics. With the deepening of Chinese and Western art exchanges, the ideas of both sides in the field of painting art frequently exchange and collide with each other. In this process, both of them have more or less learned from each other's art on the way of seeking innovation and change. The author tries to inspire his own creative inspiration by drawing lessons from the concept or style of exotic art and walks out the characteristic road of their realistic changes in portrait painting. The purpose of this paper is to review the course of development and change of Chinese and Western portrait art through the comparative study of Chinese and Western portrait art, and to sum up the law and characteristics of realistic change of Chinese and Western portrait painting in the process of comparison. Thus, it provides some reference and reference value for contemporary characters' portrait art creation to adapt to the changes and development of the times and to explore new ways of presenting portrait painting art. The article first introduces the historical origin of Chinese and Western portraits; secondly, describes the development of Chinese and Western portraits in the more important period of history; and then, according to the initiation period and development period of Chinese and Western portraits, The peak period and the transition period are the time clues to select the Chinese and Western portrait paintings in the history of a certain representative comparable works of art, Through careful comparison and analysis, the author summarizes the aesthetic taste, styling characteristics and color preference of Chinese and Western art in the process of the change of realistic nature of portrait painting. At the end of the article, the author puts forward the artistic value of contemporary realistic portraits. In the realistic road of art development, it will be a long process to realize the transformation. How to make the realistic character of portrait complete the new evolution under the background of the new era, this is the question that the painting learners have to think about all the time. Comparison will allow us to find similarities and differences, but also let us find a new entry point. In the way of finding "self" through "others", we should give full play to the advantages and advantages of Chinese painting tradition. Making change updates more meaningful on the basis of maintaining tradition.
【学位授予单位】：西安建筑科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2182243
[Abstract]:Portrait painting requires a true description of a person's appearance and characteristics, so that the object of description has a strong degree of recognition. In the process of the creation of portrait painting, the author has put forward the double requirement of accurate grasp of form and spirit. The differences between Chinese and Western cultures determine the different characteristics of the structural languages of Chinese and Western paintings. On the way of the development of portrait painting, their painting styles are quite different but have their own characteristics. With the deepening of Chinese and Western art exchanges, the ideas of both sides in the field of painting art frequently exchange and collide with each other. In this process, both of them have more or less learned from each other's art on the way of seeking innovation and change. The author tries to inspire his own creative inspiration by drawing lessons from the concept or style of exotic art and walks out the characteristic road of their realistic changes in portrait painting. The purpose of this paper is to review the course of development and change of Chinese and Western portrait art through the comparative study of Chinese and Western portrait art, and to sum up the law and characteristics of realistic change of Chinese and Western portrait painting in the process of comparison. Thus, it provides some reference and reference value for contemporary characters' portrait art creation to adapt to the changes and development of the times and to explore new ways of presenting portrait painting art. The article first introduces the historical origin of Chinese and Western portraits; secondly, describes the development of Chinese and Western portraits in the more important period of history; and then, according to the initiation period and development period of Chinese and Western portraits, The peak period and the transition period are the time clues to select the Chinese and Western portrait paintings in the history of a certain representative comparable works of art, Through careful comparison and analysis, the author summarizes the aesthetic taste, styling characteristics and color preference of Chinese and Western art in the process of the change of realistic nature of portrait painting. At the end of the article, the author puts forward the artistic value of contemporary realistic portraits. In the realistic road of art development, it will be a long process to realize the transformation. How to make the realistic character of portrait complete the new evolution under the background of the new era, this is the question that the painting learners have to think about all the time. Comparison will allow us to find similarities and differences, but also let us find a new entry point. In the way of finding "self" through "others", we should give full play to the advantages and advantages of Chinese painting tradition. Making change updates more meaningful on the basis of maintaining tradition.
【学位授予单位】：西安建筑科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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