中国工笔人物画意象图式语言探析
发布时间：2018-09-02 09:16
【摘要】：正意象是中国传统文化的重要美学思想,亦是中国绘画审美精神的内质。意象表现的灵魂是人的主观情感超越客观物象自然属性的内心的迹化。《文心雕龙》中说:"窥意象而运斤"。是以诗人感悟,联类不穷,流连万象之际沉吟视听之区,写气图貌。即"随着物以婉转属采附声,亦与心而绯徊"。意象既不是纯客观的物体之"象",也不是凭空臆造之"象":既不是客体的衍生物,也不是主体的附庸。画家表现物象时既不以杜撰任意性的"抽象"物为作画宗旨,也不仅仅以写极目所至的"具象"物为能事,而是倾心于"似与不似之间"的"迁想妙得"。它是一种心理孕育和物化的
[Abstract]:Positive image is an important aesthetic thought of Chinese traditional culture and also the essence of aesthetic spirit of Chinese painting. The soul of image expression is the inner trace of human's subjective emotion transcending the nature attribute of objective object image. It is the poet's feeling, the United class is not poor, lingering at the time of meditation audio-visual area, write gas map appearance. That is, "with the things to take the sound of euphemism, but also with the heart and crimson lingering." The image is neither the "image" of the pure objective object nor the "image" created out of thin air: neither the derivative of the object nor the appendage of the subject. The painter does not take the arbitrary abstract object as the purpose of painting, and not only takes the "concrete" thing as the ability, but also prefers the "transfer between the likeness and the lack of resemblance". It's a kind of psychological gestation and materialization.
【作者单位】： 云南师范大学艺术学院;
【分类号】：J212
，
本文编号：2218920
[Abstract]:Positive image is an important aesthetic thought of Chinese traditional culture and also the essence of aesthetic spirit of Chinese painting. The soul of image expression is the inner trace of human's subjective emotion transcending the nature attribute of objective object image. It is the poet's feeling, the United class is not poor, lingering at the time of meditation audio-visual area, write gas map appearance. That is, "with the things to take the sound of euphemism, but also with the heart and crimson lingering." The image is neither the "image" of the pure objective object nor the "image" created out of thin air: neither the derivative of the object nor the appendage of the subject. The painter does not take the arbitrary abstract object as the purpose of painting, and not only takes the "concrete" thing as the ability, but also prefers the "transfer between the likeness and the lack of resemblance". It's a kind of psychological gestation and materialization.
【作者单位】： 云南师范大学艺术学院;
【分类号】：J212
，
本文编号：2218920
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