蒙古族题材水墨人物画创作思考
发布时间：2018-12-09 16:09
【摘要】：该文主要以创作说明为主叙述了作品构思到最后完成的整个过程,前两章是本文蒙古族创作中吸收借鉴的一些画家的笔墨技法及一些理论成果。最后一章是我的蒙古族题材水墨人物画创作过程及体会,共分为三章。第一章为我的毕业创作创作背景,我的借鉴和吸收的一些水墨画家的技法和理论,方增先先生的积墨技法对我影响比较大。第二章是我的创作理念,艺术来源于生活,写生是创作的源泉,写生对水墨人物画的创作尤为重要,写生能够使艺术工作者更加真实的感受生活,感受到不同人物的不同形象性格。另外,简要介绍了下内蒙文化特点。第三部分是主要章节之一,详细叙述了蒙古题材作品从素材的搜集整理到最后两幅创作的完成。里面包括用笔用墨,设色及构图等等。最后一节是我的整个作品完成之后回顾的一些体会感悟。在这个过程中作者的笔墨技法也在不断的提高,对大幅画面的控制也有了很大提升。这将是我绘画之路上宝贵的财富,对我以后的绘画起着非常重要的意义。
[Abstract]:This paper mainly narrates the whole process from the conception to the final completion of the works. The first two chapters are the brush and ink techniques and some theoretical achievements of some painters absorbed and used for reference in the Mongolian creation of this paper. The last chapter is my creation process and experience of Mongolian ink figure painting, which is divided into three chapters. The first chapter is the background of my graduation and creation, the techniques and theories of some ink painters I draw lessons from and the ink accumulation techniques of Mr. Fang Zengxian have a great influence on me. The second chapter is my creative idea, art comes from life, sketching is the source of creation, sketching is particularly important to the creation of ink figure painting, sketching can make the artists feel life more truthfully. Feel the different characters of different characters. In addition, it briefly introduces the cultural characteristics of Inner Mongolia. The third part is one of the main chapters. It includes ink with pen, color and composition, etc. The last section is a review of some of my insights after my entire work has been completed. In this process, the author's pen and ink techniques are constantly improving, the control of large-scale picture has been greatly improved. This will be my painting on the road to valuable wealth, for my future painting plays a very important role.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2369664
[Abstract]:This paper mainly narrates the whole process from the conception to the final completion of the works. The first two chapters are the brush and ink techniques and some theoretical achievements of some painters absorbed and used for reference in the Mongolian creation of this paper. The last chapter is my creation process and experience of Mongolian ink figure painting, which is divided into three chapters. The first chapter is the background of my graduation and creation, the techniques and theories of some ink painters I draw lessons from and the ink accumulation techniques of Mr. Fang Zengxian have a great influence on me. The second chapter is my creative idea, art comes from life, sketching is the source of creation, sketching is particularly important to the creation of ink figure painting, sketching can make the artists feel life more truthfully. Feel the different characters of different characters. In addition, it briefly introduces the cultural characteristics of Inner Mongolia. The third part is one of the main chapters. It includes ink with pen, color and composition, etc. The last section is a review of some of my insights after my entire work has been completed. In this process, the author's pen and ink techniques are constantly improving, the control of large-scale picture has been greatly improved. This will be my painting on the road to valuable wealth, for my future painting plays a very important role.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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相关硕士学位论文 前4条
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