结合自己的水墨实践浅谈在当代文化语境下对绘画的思考

发布时间：2019-01-22 15:03

【摘要】：“中国画的历史实际上是一部在技术处理上(追求意境所采用的形式化的艺术手段)不断完善,在绘画观念审美经验上不断缩小的历史。”①中国画经历几千年的发展,由早期的岩画、壁画、帛画、画像石画像砖、到后期的文人画的绘画形式演变上是逐渐注重笔墨自身的价值,逐渐进行笔墨提炼的过程。讲求笔墨的形式语言不断完善追求笔墨本身的文化意义和审美感受。而在观念上没能受到更多的重视,尤其发展到文人画,文人士大夫的只将情感寄情于笔墨之上,远离社会与人群。这也是在封建的社会制度下所形成的,水墨画的观念受到很大的束缚。所以在今天中国水墨画的发展空间不仅仅是笔墨语言的考究,社会和人群这个庞大的事物上有着可不断拓展的施展空间。也就是说,社会性和时代性为水墨的客体提供了新的文化符号和新的观念。
[Abstract]:"the history of Chinese painting is in fact a history of continuous perfection in technical processing (formal artistic means used in the pursuit of artistic conception) and a shrinking aesthetic experience in painting concepts." 1 Chinese painting has experienced thousands of years of development. From the early rock paintings, murals, silk paintings, stone portraits brick, to the late literati painting on the evolution of painting is gradually pay attention to the value of the pen and ink itself, gradually carry out the process of ink extraction. Pay attention to the formal language of pen and ink continuously perfect and pursue the cultural meaning and aesthetic feeling of pen and ink itself. But in the concept has not been paid more attention, especially to the literati painting, literati and officials will only emotion on the pen and ink, far away from society and the crowd. This is also formed in the feudal social system, the concept of ink painting is greatly constrained. Therefore, in today's Chinese ink painting development space is not only the study of the language of ink and pen, the society and the crowd of this huge thing, there is a continuous expansion of the space for development. In other words, sociality and times provide new cultural symbols and new ideas for the object of ink painting.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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