汉代铜镜装饰设计艺术研究

发布时间：2018-02-01 15:31

本文关键词： 汉镜装饰语言构成形式文化背景工艺技术现代启示　出处：《湖北工业大学》2009年硕士论文　论文类型：学位论文

【摘要】： 本文从装饰艺术设计的角度出发,着重研究汉代铜镜装饰语言的设计艺术。汉代铜镜装饰设计艺术是当时科技水平、社会风俗习惯、民族心理、宗教信仰、文化传统等诸多特征的综合体现。汉代铜镜在装饰纹样上有了长足发展,对艺术性、技术性方面的要求更高。主要表现在纹饰处理上打破了战国时期的单一化,尤其是抽象纹饰与具象纹饰相互运用,铭文的运用及图形化设计,几何装饰纹的巧妙运用,动物纹和人物纹的生动化等方面。在表现技法上从战国时期单线勾勒到汉代浅浮雕、高浮雕的综合运用,使精美动人的装饰纹饰在空间立体层次上更加丰富多变、错落有致。通过详细考察汉代铜镜纹饰设计与装饰语言、构成形式、文化背景、工艺技术、艺术价值等方面之间的关系,反推汉镜装饰设计技巧,研究汉镜装饰设计艺术,从而达到古为今用,从我国博大精深的传统文化中汲取养分,继承和发扬民族文化积极目的,将现代装饰艺术设计从时间的纵向和空间的横向中开拓更为宽广的艺术设计之路。本文的第1章绪论,作为论文的前奏部分,主要概述了汉代社会全面发展的前提下手工业尤其是铜镜的发展概况,引出汉镜装饰设计艺术的纹饰特点、工艺特点以及时代特点等鲜明特色。第2章以装饰为切入点,将汉镜的装饰语言从图和文两个大的脉络入手,分门别类地归纳了汉镜的诸多装饰语言及其特点。第3章从汉镜的组织形式和构成法则两方面来分析汉镜装饰语言的构成特点,总结了汉镜纹饰的构成规律。第4章从历史传说、吉祥观念、生活趣味三个方面深入探讨了汉镜的文化背景与装饰语言之间的关系。第5章主要谈汉镜的工艺技术与装饰语言之间的关系。第6章结合现代设计理念,分析当代设计艺术的如何传承汉镜装饰的思想和手法,提炼出汉镜装饰的艺术价值,由此总结出汉镜装饰语言的现代启示意义。挖掘汉镜装饰艺术设计对现代装饰艺术设计的启发,追根溯源、古为今用、学以致用,这也是该论文研究的最终目的和真正原因。
[Abstract]:From the angle of decorative art design, this paper focuses on the design art of bronze mirror decoration language in Han Dynasty. The art of bronze mirror decoration design in Han Dynasty is the level of science and technology at that time, social customs and habits, national psychology, religious belief. Han Dynasty bronze mirror has made great progress in decorative patterns, and the demands on art and technology are higher. The main performance is that the decoration treatment broke the unification of the warring States period. In particular, abstract and figurative patterns are used together, inscriptions are used and graphically designed, and geometric decorative patterns are used cleverly. From the single line outline of the warring States period to the Han Dynasty shallow relief, the comprehensive application of high relief. Through a detailed investigation of the Han Dynasty bronze mirror decoration design and decoration language, form, cultural background, technology. The relationship between the artistic value and so on, the reverse push the Chinese mirror decoration design skill, studies the Chinese mirror decoration design art, thus achieves the ancient for the present, draws the nutrient from our country extensive and profound traditional culture. In order to inherit and carry forward the positive purpose of national culture, the modern decorative art design should be expanded from the vertical of time and the horizontal direction of space to a wider road of artistic design. The first chapter of this paper as the prelude part of the paper, mainly summarized the Han Dynasty under the premise of the overall development of the handicraft industry, especially the development of bronze mirrors, leading to the decorative design of Han Dynasty decorative arts decorative features. The second chapter takes decoration as the breakthrough point, and starts with the two big venation of picture and text in the decorative language of Chinese mirror. The third chapter analyzes the composing characteristics of Chinese mirror decoration language from two aspects: the organization form and the constitution law of the Chinese mirror. Summarized the composition of the Chinese mirror decoration law. Chapter 4 from the historical legends, auspicious concept. The relationship between the cultural background of the Chinese mirror and the decorative language is deeply discussed in three aspects of life interest. Chapter 5 mainly discusses the relationship between the craftsmanship of the Chinese mirror and the decorative language. Chapter 6 combines the modern design idea. Analyze the contemporary design art how to inherit the Chinese mirror decoration ideas and techniques, extract the artistic value of the Chinese mirror decoration. From this summarizes the Chinese mirror decoration language modern enlightenment significance. Excavates the Chinese mirror decoration art design to the modern decoration art design enlightenment, trace back to the source, the ancient for the present use, the study uses. This is also the ultimate purpose of this paper and the real reason.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K875.2

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