敦煌莫高窟彩塑装饰配件三维再现艺术

发布时间：2018-04-14 08:22

本文选题：电脑三维艺术 + 三维再现　；参考：《东华大学》2005年硕士论文

【摘要】：敦煌艺术是集建筑、彩塑、壁画于一体的综合艺术,其历史悠久、规模宏大、内涵深邃、艺术精美,是我国乃至世界佛教艺术的瑰宝,在中国文化史以至世界文化史上具有重要的地位,敦煌文化遗产因此也被列为世界文化遗产。但是敦煌文化遗产面临着病虫害、起碱、老化、自然腐蚀等等诸多的问题需要解决,保护和开放的矛盾也日渐激烈,敦煌艺术的保护与传承、研究与弘扬成为当今的首要问题。保护敦煌艺术,使其能延年益寿,尽可能完整、真实地传给下一代,是一项艰巨而迫切的工程。以往敦煌艺术保护采取了传统手工临摹、借助摄影、摄像器材数字化保存、建立虚拟参观游览系统等方法,虽取得了一定的成果,但是也都存在遗憾和不足。电脑三维再现艺术的出现为敦煌艺术的保护和弘扬提供了新的思路和方法:根据历史的推断、分析和研究,用电脑三维建模对敦煌莫高窟第45窟彩塑菩萨装饰配件的残缺部分进行三维再现;采用真实的纹理渲染,对无色或脱色的装饰配件的残缺原物进行材质和色彩的复原;再结合多媒体动画制作的表现手段,准确、细致、全方位的展现敦煌文化遗产的原始风貌,使敦煌
[Abstract]:Dunhuang art is a comprehensive art that integrates architecture, color sculptures and murals. It has a long history, large scale, profound connotation and fine art. It is the treasure of Buddhist art in our country and even in the world.Dunhuang cultural heritage is listed as the world cultural heritage because it plays an important role in Chinese cultural history and world cultural history.However, Dunhuang cultural heritage is faced with many problems, such as diseases and pests, alkali, aging, natural corrosion and so on. The contradiction between protection and openness is becoming increasingly fierce. The protection and inheritance of Dunhuang art, research and promotion become the primary issue.It is an arduous and urgent project to protect Dunhuang art so that it can prolong its life and pass it to the next generation as completely and truthfully as possible.In the past, Dunhuang art protection has adopted some methods such as traditional handmade copying, digital preservation of photography, camera equipment, and establishment of virtual tour system. Although some achievements have been made, there are still some regrets and deficiencies in the protection of Dunhuang art.The appearance of computer 3D reproduction art provides new ideas and methods for the protection and promotion of Dunhuang art: according to historical inference, analysis and research,The incomplete parts of the decorative parts of the color sculpture bodhisattva in Cave 45 of Mogao Grottoes of Dunhuang were reconstructed by computer 3D modeling, and the incomplete parts of the colourless or decolorized decorative accessories were restored by using real texture rendering.Combined with the means of expression of multimedia animation production, the original style and features of Dunhuang cultural heritage can be displayed accurately, meticulously and omni-directionally, so that Dunhuang can be made.
【学位授予单位】：东华大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J525

【引证文献】