从创作过程看情感与艺术的关系
发布时间:2018-01-08 11:06
本文关键词:从创作过程看情感与艺术的关系 出处:《中央美术学院》2008年硕士论文 论文类型:学位论文
【摘要】: 本文试图突破传统心理学与艺术理论的范畴来重新讨论情感与艺术的问题,对艺术的本质、艺术创作过程作了一个新的思索。本文所讨论的情感不是高等动物的情绪反应,不是对外在事物的态度体验与行为反应,而是人的情感,是人对于自身生存的一种体验感受,这种感受的表现不能用抽象的逻辑方式,不能脱离开具体的感性,而只能通过赋形来表现,这就是艺术。艺术不是反映社会存在的社会意识形态,而是人的情感表现抒发的方式,这是本文的理论前提。 在上述基础上再来讨论艺术创作的过程,就不再是创作冲动、艺术构思、艺术传达这样一个过程。情感在艺术创作中扮演的不是一个助力、温床、动力的作用,而本身就是艺术创作活动本身,艺术创作过程就是艺术过程。艺术过程本身就是一个情感过程,作为艺术生产者的艺术家,艺术语言就是他自身感受和体验生存的器官,艺术创作过程开始是生存感受,情有所感,而后是在体验中认清这份情感,勾摹这份情感,为这份感情赋形,最后是情感的明晰与作品生成。 除此之外,笔者用这种观念又对当下的艺术创作现实进行了反思,指出艺术家因创作观念与创作活动的分离而造成困惑的原因,使这一讨论具有更强的理论与现实意义。 唯因艺术、情感领域即深且广,涉猎的相关知识繁多,所有的论述只能是调动现有相关资源尽其可能的接近本源。而本文所努力的方向正是试图解决当下创作实践与创作观念的冲突造成的困惑,以及带来的艺术创作危机。综合运用艺术心理学、艺术社会学、图像学、文献学等方法,围绕情感与艺术的本质,情感与创作的关系,对当下艺术创作进行深层探讨。因此,本文不是理论结合实践的简单分析,而是情感与艺术创作之源、观念史与文化史的梳理与解读过程。希望能在理论与实践层面上,给当下的艺术创作带来一点启示,为艺术创作提供一个新的思索角度。
[Abstract]:This paper tries to break through the traditional psychology and art theory to discuss the problem of emotion and art, the essence of art, artistic creation process for a new thinking. This paper discussed the emotional reaction of emotion is not higher than the things outside the animal, the attitude of the experience and behavioral responses, but the emotion is. A person for their own survival experience of feeling, this feeling of performance can not use abstract logic, can not be separated from the specific emotional, but only through shaping performance, it is art. Art is not a reflection of social existence and social ideology, but the emotion express way, which is the theoretical premise of this thesis.
Based on the above discuss the process of artistic creation, it is no longer creative impulses, artistic conception, art to convey such a process of emotion in art creation is not a hotbed of power, power, role, and itself is artistic creation itself, art creation process is the process of art. The art process itself is an emotional process, as the artistic producer of artists, art is the language of his own feelings and experiences of living organs, the process of artistic creation is the beginning of life experience, have a sense of the situation, and then recognize the emotion in the experience, hook g this emotion, this feeling is shaped, finally is the emotional clarity and formation of works.
Besides, I use this concept to reflect on the reality of the current art creation, and point out the reason why the artist has been puzzled by the separation of creative ideas and creative activities, which makes the discussion more theoretical and practical.
Because art, emotion is deep and wide knowledge covered various, all the discussion is only to mobilize existing resources as much as possible close to the origin. And the direction is to present the conflict of creative practice and creative ideas to solve the confusion, and the artistic creation of comprehensive use of the crisis. The psychology of Art, art sociology, iconography, literature and other methods, based on the essence of emotion and art, the relationship between emotion and creation, deep discussion on contemporary art. Therefore, this paper is not a simple analysis of combining theory with practice, but the source of emotion and art creation, and explains the concept of history and cultural history the hope in the level of theory and practice, bring some enlightenment to contemporary artistic creation, thought to provide a new perspective for artistic creation.
【学位授予单位】:中央美术学院
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J04
【参考文献】
相关期刊论文 前2条
1 罗中立;《我的父亲》的作者的来信[J];美术;1981年02期
2 库姆布里希,王宏建;论艺术与艺术家[J];世界美术;1982年02期
,本文编号:1396837
本文链接:https://www.wllwen.com/wenyilunwen/wenxuell/1396837.html