西方骑士文学的情与中国侠义小说的义

发布时间：2018-01-16 11:36

本文关键词：西方骑士文学的情与中国侠义小说的义　出处：《重庆师范大学》2006年硕士论文　论文类型：学位论文

【摘要】： 在研究中华传统文化的热潮中,学术界对传统的上层精英文化给予了较多瞩目,对下层的民间文化则缺乏相应的关注。侠义小说作为极具中国传统特色的文学样式,是民间文化的重要组成部分。小说表现的侠义精神渗透在中华民族的“国民性”中。中世纪欧洲的骑士文学,是骑士制度的产物,它体现的骑士精神对现代欧洲的民族性格的塑造起着极其重大的作用。作为人学的文学,西方骑士文学与东方侠义小说存在一些差异和某些共同点。两者作为东西方不同文化体系的产物,为比较文学的平行研究提供了一个广阔的跨文化语境。基于此,本文以骑士文学和侠义小说作为研究对象,运用平行研究的方法,选取“情”和“义”两个角度,从文学现象入手分析异同,再切入到文化层面,发掘深层原因,力求能管中窥豹,揭示中西两种文化的特质,阐释侠义精神和骑士精神在文化性质、价值观念以及对国民性的影响上的差异。本文主体共分五部分:第一部分从总体概述骑士制度与骑士文学以及侠文化和侠义小说,为全文提供一个历史文化语境。一、明确骑士制度的概念,介绍学术界对骑士制度的评价所持的两种截然不同的态度。从历史、社会现实、经济、思想条件等方面论述骑士制度的产生,这些因素对骑士、骑士文学、骑士精神都产生了重要影响。二、从内容、类型、题材、代表作等方面勾勒骑士文学的大致形象,以辩证法的要求,从进步性即对人性及个人主义的宣扬、对宗教伦理道德的突破与局限性即封建依附性两个方面对它作了客观评价。三、谈及侠的起源,介绍《韩非子·五蠹》和《史记·游侠列传》对侠的两种相互对立的评价,明确司马迁对侠的阐释成为后世所有侠士行为准则和人格精神、价值取向的代表,形成我国传统的侠义观念。史书中的侠成为了后世文学中侠义形象的先驱,为游侠从史实走向小说奠定基础。四、简述侠义小说的发展历史,限定本文定义的侠义小说的研究范围,即先秦两汉至清代末年这一时期的武侠小说。就其贡献和局限进行一分为二的客观评价。五、在综述骑士文学和侠义小说的基础上,通过对代表文本的解读、对骑士精神和侠义精神的比较,结合社会背景,指出两者同质的一面——对英雄的崇拜和渴望。第二部分,重点论述骑士文学和侠义小说中的情。典雅爱情成为骑士文学中最基本的题材,在骑士文学中得到充分的表现。这种典雅爱情具有积极意义,产生了很大的社会影响。与此相反,中国的侠义小说在对情的表现上经历了从有情
[Abstract]:In the upsurge of studying Chinese traditional culture, academic circles pay more attention to the traditional elite culture. On the other hand, there is a lack of attention to the lower folk culture. Chivalrous novels as a literary style with Chinese traditional characteristics. The chivalrous spirit of the novel permeates the "national character" of the Chinese nation. The chivalry literature of medieval Europe is the product of chivalry system. The chivalry embodied in it plays an extremely important role in shaping the national character of modern Europe. There are some differences and some similarities between western chivalrous literature and oriental chivalrous novels, both of which are the products of different cultural systems between the East and the West. It provides a broad cross-cultural context for the parallel study of comparative literature. Based on this, this paper takes chivalrous literature and chivalrous novels as the object of study, using the method of parallel study. From the two angles of "emotion" and "meaning", this paper analyzes the similarities and differences from the literary phenomenon, then cuts into the cultural level, excavates the deep reasons, tries to be able to control the prying leopard, and reveals the characteristics of the two cultures. Explain the differences between chivalry and chivalry in cultural nature, values and influence on national character. The main body of this paper is divided into five parts: the first part gives a general overview of chivalry system and chivalrous literature as well as chivalrous culture and chivalrous novels, which provides a historical and cultural context for the full text. First, it clarifies the concept of chivalry system. This paper introduces two different attitudes to the evaluation of chivalry system in academic circles. It discusses the emergence of chivalry system from the aspects of history, social reality, economy, ideological conditions, and so on. These factors have great influence on chivalry and chivalry literature. Chivalry has an important impact. Second, from the content, type, subject matter, representative works and other aspects outline the general image of chivalry literature, to the requirements of dialectics, from the progressive that is, the promotion of human nature and individualism. The breakthrough and limitation of religious ethics, that is, feudal attachment, are objectively evaluated. Third, the origin of chivalrous. This paper introduces two kinds of opposite evaluation of chivalrous in Hanfeizi Five-Bree and Shiji Ranger Biography. It is clear that Si Maqian's explanation of chivalrous man has become the representative of all the chivalrous men's behavior code, personality spirit and value orientation in later generations. Form the traditional chivalrous concept in our country. The chivalrous man in the history books became the pioneer of chivalrous image in the later literature, which laid the foundation for the ranger to move from the historical facts to the novel. 4, briefly describes the development history of chivalrous novel. Limit the research scope of chivalrous novels defined in this paper, that is, the martial arts novels in the period from pre-Qin and Han dynasties to the end of Qing Dynasty. On the basis of summarizing chivalrous literature and chivalrous novels, through the interpretation of representative text, the comparison of chivalrous spirit and chivalrous spirit, combined with the social background. Pointing out the homogenous side of the two-the worship and desire for heroes. The second part focuses on chivalry literature and chivalrous novels. Elegant love has become the most basic subject matter in chivalry literature and has been fully displayed in chivalry literature. This kind of elegant love has positive significance. On the contrary, Chinese chivalrous novels have experienced feelings in the performance of love.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I0-03;I106.4

【引证文献】