土山湾画馆油画教育及历史价值研究
发布时间:2018-02-02 21:16
本文关键词: 上山湾 画馆 范廷佐 陆伯都 教学 教学体系 出处:《湖南师范大学》2013年硕士论文 论文类型:学位论文
【摘要】:上海土山湾画馆,被誉为“中国西洋画之摇篮”,它在西方艺术及美术教育在中国的传播史上具有重要地位。油画是西方舶来之艺术,在中国的传播之路最早可追溯至明万历年间的西方传教士来华带来的宗教绘画。到十九世纪中叶土山湾画馆的创立,,油画在中国已历近二百年。土山湾画馆在西方艺术东渐的历程中之所以具有特殊的地位,与其开展的美术教育活动有关。 土山湾画馆是土山湾美术工场下的一个专责绘画的机构,而土山湾美术工场,产生于鸦片战争失败,上海开放为通商口岸,西方基督教经过至康熙而始的禁教后卷土重来的时代背景下。土山湾画馆前身是西班牙传教士范廷佐为培养生产宗教美术用品开设的工艺学校,后在范廷佐与马义谷学生陆伯都与刘必振继承下发展为土山湾画馆。土山湾画馆主要生产油画、水彩、铅笔画、玻璃画等,同时开设了从素描到水彩到油画学习的一整套西方美术教学体系。土山湾画馆作坊式油画教学与生产体系,重视实践和实用技能的培养,其教学的内容十分丰富,这在中国油画教育史上据有开创性意义。本文从土山湾画馆形成及历史沿革、欧洲美术教育模式的移植、培养目标、培养模式及教学体系的构建等方面入手,全面剖析土山湾画馆的油画教学体系、地位及意义,还原土山湾画馆油画教学的整体面貌。
[Abstract]:Shanghai Tushanwan painting Museum, known as "the cradle of Western Chinese painting", plays an important role in the dissemination of western art and art education in China. The way of spreading in China can be traced back to the religious paintings brought by Western missionaries in the Ming Dynasty. In the middle of 19th century, Tushanwan painting Museum was founded. Oil painting has been in China for nearly 200 years. The Tushanwan painting Museum has a special position in the course of the eastward development of western art, which is related to its art education activities. The Tushan Bay painting Museum is a specialized painting organization under the Tushan Bay Art Workshop, which was created by the Opium War and opened as a trading port in Shanghai. Under the background of the revival of Western Christianity after the ban on religion to Kangxi, the Tushanwan painting Museum was formerly a craft school opened by Spanish missionary Van Tingso for the cultivation of religious art supplies. After the development of the Tushan Bay painting Museum under the succession of Fan Ting-zuo and Ma Yigu students Lu Bodu and Liu Bi-chen. The Tushan Bay painting Museum mainly produces oil paintings, watercolors, pencils, glass paintings and so on. At the same time set up a set of Western art teaching system from sketch to watercolor to oil painting learning. Tushanwan painting studio workshop oil painting teaching and production system pay attention to practice and practical skills training. The content of its teaching is very rich, which is of groundbreaking significance in the history of Chinese oil painting education. This article from the formation and historical evolution of Tushanwan painting Museum, the transplantation of European art education model, training goals. This paper analyzes the teaching system, status and significance of oil painting in Tushan Bay painting Museum, and restores the whole appearance of oil painting teaching in Tushanwan painting Museum.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J124;J213-4
【参考文献】
相关期刊论文 前8条
1 张弘星;中国最早的西洋美术摇篮——上海土山湾孤儿工艺院的艺术事业[J];东南文化;1991年05期
2 陈继春;澳门与西画东渐[J];岭南文史;1997年01期
3 梁光泽;早期油画的分期和发展脉络──中国油画史溯源之二[J];岭南文史;2000年01期
4 王震;要真正认识周湘[J];美术观察;2000年11期
5 李超;土山湾画馆——中国早期油画研究之一[J];美术研究;2005年03期
6 杨孝鸿;传教士与西洋美术在近代上海的传播[J];艺术探索;2005年02期
7 李超;消失的摇篮——土山湾画馆[J];中国天主教;1998年06期
8 孟庆;消逝的土山湾[J];中国宗教;2003年06期
相关博士学位论文 前1条
1 高蓓;“土山湾孤儿院美术工场”研究[D];中央美术学院;2009年
相关硕士学位论文 前2条
1 崔炜;土山湾美术教学策略析微[D];上海师范大学;2004年
2 张爱红;土山湾美术工艺所的历史价值探析[D];山东大学;2007年
本文编号:1485501
本文链接:https://www.wllwen.com/wenyilunwen/wenxuell/1485501.html