布迪厄文化美学的符号学审视

发布时间：2018-02-16 20:28

本文关键词： 布迪厄文化美学符号实践文学场符号权力反观性　出处：《江西师范大学》2008年硕士论文　论文类型：学位论文

【摘要】： 布迪厄是国际上具有重要影响力的人文学者,他学术视野宽广,对于文学艺术、美学、文化学等都提出了一系列独特的见解。本文将布迪厄这些方面的内容概述为“文化美学”,并运用符号学的视角对其加以审视,以期揭示他的文化美学在符号学视域的重要价值。在理论建构上,布迪厄创造性地运用了一系列概念体系以及方法论,其中“符号实践”(象征性实践)作为核心范畴表现为人类实际生活所创造的各种符号和意义系统。布迪厄在社会资本的区分中,提出了“符号资本”概念,以强调符号在资本流转中的特殊意义。布迪厄又阐释符号权力概念,指出符号实际上成为构筑社会结构与秩序的基石、实现“软性”统治的利器。布迪厄以空间(即场域)概念来避免空泛的社会分析,提出文化符号在复杂的网状的场域内互动、斗争,文学艺术的美学意义在场域内产生。在文学分析上,布迪厄重点探讨了“文学场”理论,他所认同的“艺术的法则”是对文学、艺术本身的经济、社会基础进行批判,超越内部研究与外部研究的分野,走“综合分析”之路。
[Abstract]:Bourdieu is one of the most influential humanities scholars in the world. He has a wide range of academic horizons, and he has a wide range of views on literature, art and aesthetics. This paper summarizes Bourdieu's contents as "cultural aesthetics" and examines it from the perspective of semiotics in order to reveal the important value of his cultural aesthetics in the field of semiotics. In theory construction, Bourdieu creatively applied a series of conceptual systems and methodology. Among them, "symbolic practice" (symbolic practice), as the core category, is represented by various symbols and meaning systems created by human beings' actual life. In the differentiation of social capital, Bourdieu puts forward the concept of "symbolic capital". In order to emphasize the special significance of symbol in capital transfer, Bourdieu explained the concept of symbolic power and pointed out that symbol has actually become the cornerstone of social structure and order. Bourdieu uses the concept of space (field) to avoid vague social analysis, and proposes that cultural symbols interact and struggle in the complex network of fields. In literary analysis, Bourdieu focuses on the theory of "literary field", which he agrees with is a critique of the economic and social basis of literature and art itself. Transcend the distinction between internal research and external research, and take the road of "comprehensive analysis".
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：I01

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