1990年代后的中国女性艺术现状
发布时间:2018-03-10 01:36
本文选题:女性艺术 切入点:女权主义 出处:《华东师范大学》2006年硕士论文 论文类型:学位论文
【摘要】:1990年代以来,中国当代艺术中一个令人瞩目的现象是女性主义艺术的真正崛起。在目睹中国几千年父权制统治以及由此带来的男性主导的文化专权后,人们也质疑:中国是否存在真正意义上的“女性艺术”?本文旨在通过剖析女性艺术形式与女性性别特征所主导衍生的心理、情感、文化偏好等因素的联系,进一步说明其之所以存在的依据。她是人类文化中不可或缺的一部分,是时代生动、鲜活又细腻的描述者。现代意义上的中国女性艺术是二十世纪九十年代的新生物。它既区别于中国以往女性艺术而凸现出鲜明的女性特征,且在思想和形式上也区别于西方女权运动艺术而饱含中国文化特色。她们的作品风格各异,但都具有一个最大的共同点——从女性的角度来阐释世界,因此当代女性艺术家们愈益显现出一种不同于男性艺术家的独特视角。她们不再用男人的标准和男人创造的程式去画画。她们开始建立起一种对自身性别认同的自觉意识,开始从性别差异中发现自己的价值。当她们尝试从自身经验出发,用“女性视角”去诠释这个世界时,她们的作品不仅与男性艺术家不同,也与以往任何时代的女性艺术家的作品拉开了距离。也正是这一实践,才使“女性艺术”这一概念的提出成为可能,,才使“女性艺术”这一话题具有了全新的内容和“后现代”色彩。
[Abstract]:Since the 1990s, a remarkable phenomenon in Chinese contemporary art has been the real rise of feminist art. After witnessing thousands of years of patriarchal rule in China and the resulting male-dominated cultural dictatorship, People also question whether there is a real "female art" in China? The purpose of this paper is to analyze the relationship between female art form and psychological, emotional and cultural preferences, which are derived from female gender characteristics, and to further explain the basis for its existence. It is an indispensable part of human culture. Chinese women's art in the modern sense is a new creature in 1990s. It is different from the Chinese women's art in the past and shows its distinctive female characteristics. And they are different in thought and form from the Western feminist arts and are full of Chinese cultural characteristics. Their works have different styles, but they all have one of the most common points-to explain the world from the perspective of women. As a result, contemporary female artists are increasingly showing a unique perspective that is different from that of male artists. They are no longer drawing by the standards of men and the programs created by men. They are beginning to develop a sense of self-awareness of their own gender identity. When they try to interpret the world from a "female perspective," their work is not just different from that of male artists. It is this practice that has made it possible to put forward the concept of "female art". So that the topic of "female art" has a brand-new content and "post-modern" color.
【学位授予单位】:华东师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:J120.9
【参考文献】
相关期刊论文 前2条
1 任一鸣;女性文学与女性主义文学及其批评之辨析[J];昌吉学院学报;2003年02期
2 林树明;;评当代我国的女权主义文学批评[J];文学评论;1990年04期
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