先锋艺术的“雅努斯面孔”

发布时间：2018-03-23 04:25

本文选题：先锋艺术　切入点：雅努斯　出处：《文艺研究》2015年03期 　论文类型：期刊论文

【摘要】：先锋艺术是一种动态的、多元的、充满张力的现代性范畴。在20世纪30年代以前,先锋艺术运动侧重于政治先锋,以法国和俄国为中心;在"二战"以后,先锋艺术运动侧重于审美先锋,以美国为中心。它主要表现为激进、反叛、虚无与苦恼等前卫心理。这些心理特征使先锋艺术运动陷入政治与审美、破坏与创新、前卫与庸俗、时尚与俗套、激进与颓废等一系列充满悖论的努力之中。我们把这种正反同体的双重性形象称为先锋艺术的"雅努斯面孔"。它既是现代性危机的表征,也是现代性危机的深化。其核心特征是反艺术,一种充满失败与危机感的艺术。作为一种美学风格,先锋派或许已经接近尾声。但作为一种价值规范,先锋精神依然生机勃勃。
[Abstract]:Vanguard art is a dynamic, pluralistic, tension-filled category of modernity. Before the 1930s, the vanguard art movement focused on political pioneers, focusing on France and Russia; after World War II, The avant-garde art movement focuses on aesthetic avant-garde and centers on the United States. It is mainly manifested in radical, rebellious, nihilistic and vanguard psychology. These psychological features have plunged the vanguard art movement into politics and aesthetics, destruction and innovation, avant-garde and vulgarity. In a series of paradoxical efforts, such as fashion and cliche, radicalism and decadence, we call this dual image of the positive and negative as the "Janus face" of avant-garde art. It is a symbol of the crisis of modernity. It is also the deepening of the crisis of modernity. Its core feature is anti-art, a kind of art full of failure and crisis. As an aesthetic style, the avant-garde may have come to an end, but as a value norm, the pioneering spirit is still alive and well.
【作者单位】：南京大学艺术研究院;
【基金】：国家社科基金青年项目“艺术体制论研究——从现代到后现代”(批准号:13CZW007) 教育部人文社科研究青年基金项目“现代性视域中的艺术体制研究”(批准号:12YJC760126)成果
【分类号】：J0

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