重新认识行为艺术

发布时间：2018-06-29 16:00

  本文选题：行为艺术 + 身体　； 参考：《美术研究》2015年01期

【摘要】：尽管争议重重,但世界范围内关于行为艺术的定义却离不开时间、地点、行为艺术者的身体,以及与观众的交流这四个最基本要素。本文旨在表明在新的形势下重新完整地理解行为艺术这四个要素的迫切性和必要性,特别是第四个要素,即艺术家作为人与观众作为人的交流。本文认为行为艺术不仅是艺术自身发展和革命的需要,更是艺术交流和分享的需要——消解艺术家与观众之间的心理距离,增强观众对艺术创造行为的认同感和参与性。因此,本文提出交流与互动对于行为艺术的价值实现的重要地位,以此纠正行为艺术家往往单方面以身体和裸体论行为艺术成败的偏执。
[Abstract]:Although there are many controversies, the definition of act art in the world is inseparable from the four most basic elements: time, place, the body of the act artist and the communication with the audience. The purpose of this paper is to demonstrate the urgency and necessity of re-understanding the four elements of behavioral art under the new situation, especially the fourth element, that is, the communication between the artist and the audience as human beings. This paper holds that the art of behavior is not only the need of the development and revolution of art itself, but also the need of artistic exchange and sharing-to dispel the psychological distance between the artist and the audience, and to enhance the audience's identity and participation in artistic creation. Therefore, this paper puts forward the important position of communication and interaction to the realization of the value of behavioral art, so as to correct the bigotry that behavioral artists often use body and nudity to discuss the success or failure of behavioral art unilaterally.
【作者单位】： 天津美术学院学报;
【分类号】：J5
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本文编号：2082634