詹姆逊的总体性文化美学研究

发布时间：2018-07-15 16:18

【摘要】：弗雷德里克·詹姆逊是当代西方最著名的马克思主义批判理论家之一。他坚持马克思主义的总体性观念，，并在与其它理论的有效对话中、在对当代资本主义文化的研究中建构了他的总体性文化美学，从而丰富和发展了马克思主义美学。本文主要分三个部分来研究詹姆逊的总体性文化美学：第一部分探讨了作为其理论基础和方法论核心的总体性思想的理论渊源和时代背景。前者包括黑格尔、马克思以及西方马克思主义代表人物卢卡奇、阿尔都塞、阿多诺以及萨特的总体性思想；后者则是他的总体性思想形成和发展的时代语境，其中现代性与后现代性之争是重要的理论背景。第二部分研究詹姆逊总体性的政治阐释学美学理论。詹姆逊试图建构辩正的马克思主义文学批评，以恢复文本与历史的真实联系，因此他考察了形式与内容的辩正关系。在其马克思主义文论代表作《政治无意识》中提出的三层次的文本—历史阐释模式是一种从总体性研究视角出发的政治阐释模式，这种阐释模式运用生产方式的主符码，以文本为圆心，以历史为文本阐释的终极视野，在阐释过程中揭示文本所蕴涵的政治无意识，使文本重新历史化。詹姆逊还认为马克思主义的文学阐释模式不仅是对资本主义意识形态的批判，而且是对马克思主义意识形态的建构，是意识形态与乌托邦的统一。第三部分探讨詹姆逊总体性视域中的后现代主义文化理论。他把前一个时期的文学阐释模式拓展运用于文化研究领域，具体深入地分析当代资本主义的文化现实，力图从文化与经济的联系中、从总体上把握资本主义文化的发展规律。他借助曼德尔的资本主义分期理论把资本主义的文化分为现实主义、现代主义和后现代主义三个时期，认为后现代主义是晚期资本主义的文化主导，并深入研究了后现代主义文化的基本特征。针对后现代的空间性特征以及人们在这种后现代空间的迷失，即人们丧失了对资本主义社会现实的批判能力，詹姆逊提出了认知测绘的主张，试图建立一种能够突破后现代空间的激进的文化政治。研究詹姆逊的总体性文化政治美学对我国文化和美学建设具有重要意义和借鉴价值。
[Abstract]:Frederick Jameson is one of the most famous Marxist critical theorists in the West. He adheres to the overall concept of Marxism, and in the effective dialogue with other theories, constructs his overall cultural aesthetics in the study of contemporary capitalist culture, thus enriching and developing Marxist aesthetics. This paper is divided into three parts to study Jameson's overall cultural aesthetics: the first part discusses the theoretical origin and background of the totality thought which is the core of its theory and methodology. The former includes the totality of Hegel, Marx and the representative figures of Western Marxism, Lukacs, Althusser, Adorno and Sartre, while the latter is the context in which his totality thought was formed and developed. The controversy between modernity and post-modernity is an important theoretical background. The second part studies Jameson's aesthetic theory of political hermeneutics. Jameson tried to construct the correct Marxist literary criticism in order to restore the true connection between the text and history, so he examined the relationship between form and content. The three-level text-historical interpretation model put forward in his masterpiece of Marxist literary theory, political unconscious, is a political interpretation model from the perspective of overall study, which uses the main code of the mode of production. Taking text as the center and history as the ultimate vision of text interpretation, this paper reveals the political unconsciousness contained in the text in the process of interpretation, and makes the text history again. Jameson also believes that Marxist literary interpretation model is not only the criticism of capitalist ideology, but also the construction of Marxist ideology and the unity of ideology and utopia. The third part discusses the postmodern cultural theory in Jameson's overall vision. He expanded the literary interpretation model of the previous period and applied it to the field of cultural research, analyzed the cultural reality of contemporary capitalism in depth, and tried to grasp the development law of capitalist culture from the point of view of the relationship between culture and economy. He divided the culture of capitalism into three periods: realism, modernism and postmodernism by means of Mandel's theory of capitalist stages. He thought that postmodernism was the dominant culture of late capitalism. And studied the basic characteristic of post-modernism culture in depth. In view of the spatial characteristics of post-modern and the loss of people in this kind of post-modern space, that is, people have lost their critical ability to the reality of capitalist society, Jameson put forward the idea of cognitive mapping. Try to establish a kind of radical cultural politics which can break through the post-modern space. The study of Jameson's overall cultural and political aesthetics is of great significance and reference value to the construction of Chinese culture and aesthetics.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I01

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