论杨译《红楼梦》对人物语言风格的传递
发布时间：2018-09-05 12:49
【摘要】：风格是文学作品的一种重要特性。是否有成功的和成熟的风格，是衡量文学作品创作成就的一个重要标志。很长时期以来，风格被认为是虚无缥缈、不可知的。在翻译理论界，也存在着风格可译和不可译的争论。本文依据刘宓庆的风格翻译理论，对杨宪益《红楼梦》译本中对人物语言风格的传递进行了探讨。 在引言部分，本文首先界定了什么是风格，介绍了不同学者对风格的看法和观点。然后引出了第一部分“刘宓庆的风格翻译理论”。根据该理论，风格可以见诸于“形”，表现为风格的符号体系。风格的符号体系就是在原文的语言形式上可被人们认识的风格标记。风格标记分为形式标记和非形式标记。形式标记由六种类属性标记组成：音系标记、语域标记、词汇标记、篇章标记、句式标记和修辞标记。这些风格标记能使我们得以从语言形式上认识原作所承载的风格意义。另外，要全面、准确地认识原作的风格单凭直观的形式符号是不够的。风格中确实存在所谓神韵、风骨、气势等“非形式因素”，我们称之为风格的非形式标记。非形式标记具有整体性、开放性、兼容性和独特性的特点。这些也是认识文学作品风格的重要组成部分。 本文第二章介绍了风格的可译性和风格的翻译方法。根据刘宓庆的风格翻译理论，，风格可以通过风格标记为人们所认识，大多数风格标记是可以转换的，例如语域标记、词汇标记以及大部分修辞标记在双语转换中都可以做到比较理想的契合。非形式标记中的表现法汉英是大体契合的，因此风格是可译的。风格的翻译策略有三种：对应式换码(即所谓“模仿”)、重构式换码(风格意义的再创造)和淡化式换码(“淡化”的实质是在确保概念意义的前提下不得已放弃或部分放弃风格意义)。 本文第三章研究了《红楼梦》人物语言的基本风格特点。《红楼梦》被看作是一部语言百科全书，在中国文学史上有着举足轻重的地位。《红楼梦》中的人物拥有与之个性、气质、文化相符的语言，另外，人物语言对塑造《红楼梦》人物形象有着重要作用。 本文第四章从音系标记(包括叠音、儿化韵、压韵、谐音)、词汇标记(包括拆词镶嵌、动词、形容词和代词的应用)和修辞标记(明喻、暗喻、委婉、仿词、夸张、借代、比拟、飞白)三方面对《红楼梦》人物语言风格进行分析，并剖析了杨译本在《红楼梦》译本中如何传递这三种风格标记，使用何种翻译策略以及
[Abstract]:Style is an important characteristic of literary works. Whether there is a successful and mature style is an important symbol of the achievement of literary creation. For a long time, style was considered illusory and unknowable. In the field of translation theory, there is also a debate about style translatability and untranslatability. Based on Liu Miqing's style translation theory, this paper probes into the transmission of characters' language style in Yang Xianyi's A Dream of Red Mansions. In the introduction, this paper first defines what style is, and introduces the views and viewpoints of different scholars on style. Then it leads to the first part "Liu Miqing's theory of style translation". According to this theory, style can be seen in "form", which can be expressed as the symbol system of style. The symbol system of style is the style mark which can be recognized in the language form of the original text. Style marks can be divided into formal marks and non-formal marks. Formal markers consist of six kinds of attribute markers: phonological markers, register marks, lexical markers, textual markers, sentence markers and rhetorical markers. These stylistic markers enable us to understand the stylistic meaning of the original in terms of linguistic form. In addition, it is not enough to fully and accurately understand the original style by intuitive formal symbols. There are some "non-formal factors" in style, such as charm, strength and momentum, which we call the non-formal marks of style. Non-formal markers are characterized by integrity, openness, compatibility and uniqueness. These are also an important part of understanding the style of literary works. Chapter two introduces the translatability of style and the translation method of style. According to Liu Miqing's style translation theory, style can be recognized by people through style marking, and most style markers can be transformed, such as register marks. Lexical markers, as well as most rhetorical markers, are ideal for bilingual translation. Chinese and English expressions in non-formal marks are generally consistent, so style is translatable. There are three translation strategies of style: corresponding code exchange (so-called "imitation"), reconstructed code exchange (re-creation of style meaning) and desalted code exchange (desalination), which is based on the necessity of ensuring conceptual meaning. Abandon or partially abandon the meaning of style). The third chapter studies the basic style characteristics of the characters' language in A Dream of Red Mansions. The Dream of Red Mansions is regarded as an encyclopedia of language and plays an important role in the history of Chinese literature. In addition, the language of characters plays an important role in shaping the characters of A Dream of Red Mansions. In the fourth chapter, phonological markers (including repetition, rhyme, homophony), lexical markers (including disjunctions, use of verbs, adjectives and pronouns) and rhetorical markers (metaphor, euphemism, parody, hyperbole, metonymy) are introduced. In comparison, Feibai) analyzes the language style of the characters in A Dream of Red Mansions from three aspects, and analyzes how Yang's version conveys these three style markers, what translation strategies are used and how to transfer these three styles in the translation of A Dream of Red Mansions.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：H315.9;I046
本文编号：2224327
[Abstract]:Style is an important characteristic of literary works. Whether there is a successful and mature style is an important symbol of the achievement of literary creation. For a long time, style was considered illusory and unknowable. In the field of translation theory, there is also a debate about style translatability and untranslatability. Based on Liu Miqing's style translation theory, this paper probes into the transmission of characters' language style in Yang Xianyi's A Dream of Red Mansions. In the introduction, this paper first defines what style is, and introduces the views and viewpoints of different scholars on style. Then it leads to the first part "Liu Miqing's theory of style translation". According to this theory, style can be seen in "form", which can be expressed as the symbol system of style. The symbol system of style is the style mark which can be recognized in the language form of the original text. Style marks can be divided into formal marks and non-formal marks. Formal markers consist of six kinds of attribute markers: phonological markers, register marks, lexical markers, textual markers, sentence markers and rhetorical markers. These stylistic markers enable us to understand the stylistic meaning of the original in terms of linguistic form. In addition, it is not enough to fully and accurately understand the original style by intuitive formal symbols. There are some "non-formal factors" in style, such as charm, strength and momentum, which we call the non-formal marks of style. Non-formal markers are characterized by integrity, openness, compatibility and uniqueness. These are also an important part of understanding the style of literary works. Chapter two introduces the translatability of style and the translation method of style. According to Liu Miqing's style translation theory, style can be recognized by people through style marking, and most style markers can be transformed, such as register marks. Lexical markers, as well as most rhetorical markers, are ideal for bilingual translation. Chinese and English expressions in non-formal marks are generally consistent, so style is translatable. There are three translation strategies of style: corresponding code exchange (so-called "imitation"), reconstructed code exchange (re-creation of style meaning) and desalted code exchange (desalination), which is based on the necessity of ensuring conceptual meaning. Abandon or partially abandon the meaning of style). The third chapter studies the basic style characteristics of the characters' language in A Dream of Red Mansions. The Dream of Red Mansions is regarded as an encyclopedia of language and plays an important role in the history of Chinese literature. In addition, the language of characters plays an important role in shaping the characters of A Dream of Red Mansions. In the fourth chapter, phonological markers (including repetition, rhyme, homophony), lexical markers (including disjunctions, use of verbs, adjectives and pronouns) and rhetorical markers (metaphor, euphemism, parody, hyperbole, metonymy) are introduced. In comparison, Feibai) analyzes the language style of the characters in A Dream of Red Mansions from three aspects, and analyzes how Yang's version conveys these three style markers, what translation strategies are used and how to transfer these three styles in the translation of A Dream of Red Mansions.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：H315.9;I046
【引证文献】
相关硕士学位论文 前2条
1 于红梅;基于语料库的《红楼梦》两英译本人际隐喻使用对比研究[D];苏州大学;2012年
2 周楠;《葬花吟》维译本修辞风格传递管窥[D];喀什师范学院;2012年
本文编号：2224327
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