瞬间—论一种现代性体验
发布时间：2018-11-09 12:45
【摘要】： 本文尝试从“瞬间”角度来讨论“速度时代”人的审美体验问题。试图清理出这样一条线索:由于技术的发展,现代社会不断加速,人的时空感受发生了很大的转变,距离越来越失去意义,时间感受也越来越呈现为一种“现在”时间的“瞬间”感。文学与艺术中以“瞬间诗学”为主要审美特质的“瞬时”的现代性体验也发生了从“震惊”到“眩晕”的嬗变。 本文分为导言、上篇、下篇、结语4部分。 导言部分对主要概念进行界定,说明本论文写作的意义和价值。 上篇主要结合哲学、社会学和文学文本讨论“速度时代”的特征。分作三节:第一节论述了速度时代的时空转换,从工业革命到电子媒介,距离越来越趋近于“零”,时间越来越趋向于“瞬间”。 第二节主要谈一种“轻快的现代性”,沿英国社会学家齐格蒙特·鲍曼的思路展开。现代社会中“轻巧”取代了“笨重”,“快”压倒了“慢”,“瞬间”代替了“永恒”,我们生活在一个注重瞬时性的时代,一切持久和长期性的东西都失去了价值,一种既无过去也无未来的“瞬时”性感受占据了我们对当前世界的体验。 第三节结合米兰·昆德拉的小说《慢》,探讨文学艺术中的“快”与“慢”的时间感受,着重从“速度与遗忘”、“人与人交流经验的萎缩”等方面展开,肯定了“慢”的价值,并认为小说《慢》所描写的其实是一个“现代性”问题。 下篇主要聚焦于“瞬时诗学”的问题,亦分三节: 第一节从波德莱尔的作品,以及本雅明对波德莱尔作品的相关论述谈起,重点探讨的是现代主义作品中“震惊”的审美瞬时性体验。 第二节以爱伦·坡、波德莱尔、伍尔夫等人作品中的“钟声”为例,具体讨论“震惊”的美学内涵,指出“震惊”作为典型的现代性体验实质上是一种“瞬时诗学”。 第三节借助法国理论家保罗·维利里奥对“速度”的论述,重点讨论了他所提出的“消失的美学”。信息与数字时代,电影、电视、仿真技术,分身性、瞬时性和立时性的时间间隔与空间延拓的清除,日益使“眩晕”成为审美体验中的一种重要感受。 结语总结全文,指出“瞬时感”其实是一种“时间感”,体验瞬间是体验世界的一种特殊方式。体验时间就是体验生命自身,就是体验我们所处的时代。人类能否适应速度问题,实质上是人性能否适应技术问题。文学和艺术应该更多地关注时代的新体验。
[Abstract]:This paper tries to discuss the aesthetic experience of "speed age" from the angle of "moment". Trying to sort out a clue: because of the development of technology, modern society has been accelerating, people's space-time feelings have undergone a great change, distance is becoming more and more meaningless. The feeling of time is more and more present as a sense of moment of present time. In literature and art, the experience of "instantaneous" modernity, with "instantaneous poetics" as the main aesthetic characteristic, has also changed from "shock" to "dizziness". This article is divided into four parts: introduction, the first part, the second part, and the conclusion. The introduction defines the main concepts and explains the significance and value of this thesis. The first part mainly combines philosophy, sociology and literary texts to discuss the characteristics of the Speed Age. It is divided into three sections: the first section discusses the time and space conversion of the speed era, from the industrial revolution to the electronic medium, the distance is closer to "zero", and the time is more and more "instantaneous". The second section mainly talks about a kind of brisk modernity, which is carried out along the thought of British sociologist Zygmunt Bowman. In modern society, "lightness" takes the place of "bulky", "quick" suppresses "slow", "moment" replaces "eternity". A "instantaneous" feeling that has neither the past nor the future dominates our experience of the present world. The third section, based on Milan Kundera's novel slow, discusses the time feeling of "speed" and "slowness" in literature and art, focusing on "speed and forgetting", "the atrophy of human exchange experience" and so on. The author affirms the value of slowness and thinks that what the novel describes is actually a problem of modernity. The next part mainly focuses on the issue of "instantaneous Poetics", which is also divided into three sections: the first section begins with Baudelaire's works and Benjamin's exposition of Baudelaire's works. The emphasis is on the aesthetic transient experience of "shock" in modernist works. The second section discusses the aesthetic connotation of shock, and points out that shock, as a typical experience of modernity, is in essence a kind of "instantaneous poetics", taking Allan Poe, Baudelaire, Woolf and others as examples to discuss the aesthetic connotation of "shock". In the third section, with the help of the French theorist Paul Villelio's discussion of speed, the author focuses on the esthetics of disappearance. In the information and digital age, film, television, simulation technology, separateness, instantaneous and temporal time interval and spatial continuation, "vertigo" has become an important feeling in the aesthetic experience. The conclusion summarizes the full text and points out that "instantaneous feeling" is actually a kind of "sense of time", and experience moment is a special way to experience the world. Experience time is to experience life itself, is to experience the era we live in. The question of whether human beings can adapt to speed is essentially a question of whether human nature can adapt to technology. Literature and art should pay more attention to the new experience of the times.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I01
本文编号：2320452
[Abstract]:This paper tries to discuss the aesthetic experience of "speed age" from the angle of "moment". Trying to sort out a clue: because of the development of technology, modern society has been accelerating, people's space-time feelings have undergone a great change, distance is becoming more and more meaningless. The feeling of time is more and more present as a sense of moment of present time. In literature and art, the experience of "instantaneous" modernity, with "instantaneous poetics" as the main aesthetic characteristic, has also changed from "shock" to "dizziness". This article is divided into four parts: introduction, the first part, the second part, and the conclusion. The introduction defines the main concepts and explains the significance and value of this thesis. The first part mainly combines philosophy, sociology and literary texts to discuss the characteristics of the Speed Age. It is divided into three sections: the first section discusses the time and space conversion of the speed era, from the industrial revolution to the electronic medium, the distance is closer to "zero", and the time is more and more "instantaneous". The second section mainly talks about a kind of brisk modernity, which is carried out along the thought of British sociologist Zygmunt Bowman. In modern society, "lightness" takes the place of "bulky", "quick" suppresses "slow", "moment" replaces "eternity". A "instantaneous" feeling that has neither the past nor the future dominates our experience of the present world. The third section, based on Milan Kundera's novel slow, discusses the time feeling of "speed" and "slowness" in literature and art, focusing on "speed and forgetting", "the atrophy of human exchange experience" and so on. The author affirms the value of slowness and thinks that what the novel describes is actually a problem of modernity. The next part mainly focuses on the issue of "instantaneous Poetics", which is also divided into three sections: the first section begins with Baudelaire's works and Benjamin's exposition of Baudelaire's works. The emphasis is on the aesthetic transient experience of "shock" in modernist works. The second section discusses the aesthetic connotation of shock, and points out that shock, as a typical experience of modernity, is in essence a kind of "instantaneous poetics", taking Allan Poe, Baudelaire, Woolf and others as examples to discuss the aesthetic connotation of "shock". In the third section, with the help of the French theorist Paul Villelio's discussion of speed, the author focuses on the esthetics of disappearance. In the information and digital age, film, television, simulation technology, separateness, instantaneous and temporal time interval and spatial continuation, "vertigo" has become an important feeling in the aesthetic experience. The conclusion summarizes the full text and points out that "instantaneous feeling" is actually a kind of "sense of time", and experience moment is a special way to experience the world. Experience time is to experience life itself, is to experience the era we live in. The question of whether human beings can adapt to speed is essentially a question of whether human nature can adapt to technology. Literature and art should pay more attention to the new experience of the times.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I01
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相关期刊论文 前3条
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