日常生活审美与新世纪中国公共艺术
发布时间：2018-11-10 11:39
【摘要】：正现代意义上的"艺术"概念以及"艺术自律性""审美无功利"等理论规定性皆是18世纪以来西方启蒙运动的产物,艺术与生活间界限的划定亦是现代性进程中诸价值领域相互分化的结果。但社会历史的演变与艺术自身的发展却在不断地挑战着艺术的神圣性与审美乌托邦,尤其是20世纪60年
[Abstract]:The concept of "art" in the modern sense and the theoretical stipulation of "artistic self-discipline" and "aesthetic non-utilitarianism" are the products of the Western Enlightenment since the 18th century. The demarcation of the boundary between art and life is also the result of the division of value fields in the process of modernity. However, the evolution of social history and the development of art itself are constantly challenging the sanctity of art and aesthetic utopia, especially in the 60 years of the 20th century.
【作者单位】： 中国艺术研究院《艺术评论》杂志社;
【分类号】：J022
，
本文编号：2322376
[Abstract]:The concept of "art" in the modern sense and the theoretical stipulation of "artistic self-discipline" and "aesthetic non-utilitarianism" are the products of the Western Enlightenment since the 18th century. The demarcation of the boundary between art and life is also the result of the division of value fields in the process of modernity. However, the evolution of social history and the development of art itself are constantly challenging the sanctity of art and aesthetic utopia, especially in the 60 years of the 20th century.
【作者单位】： 中国艺术研究院《艺术评论》杂志社;
【分类号】：J022
，
本文编号：2322376
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