当前位置:主页 > 文艺论文 > 文学理论论文 >

文与艺间的“理论旅行”——北京大学艺术学院院长王一川教授访谈

发布时间:2019-03-05 20:42
【摘要】:正一、关于学术经历1、您曾提到八十年代是中国艺术学的起点,能具体讲讲您的看法吗?或者这个时期对您本人的影响?●这只是我个人的一种看法,尚未做正式的学术论证和表达,当然目前只能姑妄言之了。在1985年,随着头一年十月党的十二届三中全会成功召开,中国艺术界的思想解放达到1949年以来的空前力度和强度,人们的艺术创造活力呈现。有美术界的八五美术新潮、电影界的第五代、音乐界的新潮音乐、戏剧界的实验戏剧和先锋戏剧等,各种艺术思潮风起云涌,相互激荡,蔚为大观,从而为中国艺术学的复兴和体制化建设提供了强劲的动力。特别是1985年到1989
[Abstract]:As far as academic experience 1 is concerned, you mentioned that the 1980s was the starting point of Chinese art. Can you tell me your opinion in detail? Or the impact of this period on you? this is only one of my personal views, not yet formally demonstrated and expressed, of course, for the time being, in a paranoia. In 1985, with the successful convening of the third Plenary session of the 12th Central Committee of the Communist Party of China in October of the first year, the ideological liberation of Chinese art circles reached the unprecedented strength and intensity since 1949, and people's artistic creativity showed up. There are the art trends of the eighth five-year Plan, the fifth generation of the film industry, the trendy music of the music industry, the experimental drama and the avant-garde drama of the drama field, and so on. All kinds of artistic trends of thought are surging and stirring up with each other, and they are becoming a big view. Thus provides a strong impetus for the renaissance and institutionalization construction of Chinese art science. Especially from 1985 to 1989.
【作者单位】: 北京大学艺术学院;教育部高等学校艺术学理论类专业教学指导委员会;中国文艺理论学会;中华美学学会;北京电影家协会;
【分类号】:J01


本文编号:2435269

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wenxuell/2435269.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户d8989***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com