马克思主义文艺理论中国化与人文精神问题研究
发布时间:2019-05-28 06:24
【摘要】: 90年代以来,在市场经济和社会转型的影响下,随着西方解构主义思潮以及后现代话题的不断输入,文学创作与文学理论中人文精神的失落成为比较突出的问题。“人文精神”大讨论、“日常生活审美化”论争就是针对人文精神失落而爆发的争论,虽然“新理性精神”文艺理论早就提倡用新理性去制导人文精神问题,但总起来说文艺理论界对此的重视还不够。弘扬人文精神、用人文精神克服文艺日益庸俗化的倾向,是马克思主义文艺理论中国化的价值坐标,同时,文学创作与文艺理论中人文精神的实现也只有在马克思主义文艺理论的指导下才能落在实处。据此,本文立足于马克思主义文艺理论已初步中国化的当代新人文传统基础上,立足于当前中国文学、文论发展的现实语境,试图从马克思主义文艺理论中国化的视阈去透视这两场文艺理论界的大论争,努力用马克思主义文艺理论的基本原则给予科学的回答和创造性的阐释。这也将是把马克思主义文艺理论中国化推向深入、提升到新高度的重要途径之一。 本文共分上下两篇。上篇围绕“人文精神”大讨论展开论述,共分四章。第一章主要讲“人文精神”大讨论中的主要观点和基本问题。在“人文精神”大讨论中出现了“失落论”和“非失论”的尖锐对立:“失落论”者认为人文精神在当代文学创作和批评中已全面丧失,“非失论”认为人文精神并未丧失或者根本就没存在过。“人文精神”大讨论主要涉及到人文精神的内涵、人文精神与知识分子、人文精神与市场经济、重建人文精神等基本问题。第二章主要讲对“人文精神”大讨论进行反思的几种主要观点:有人认为“人文精神”大讨论具有强烈的现实针对性,理论意义和现实意义都很强;有人指责“人文精神”大讨论务虚;有人认为“人文精神”大讨论具有本质主义倾向;有人认为“人文精神”大讨论具有很强的意识形态性。第三章从马克思主义文艺理论中国化的视阈透析“人文精神”大讨论,,认为人文精神的失落实质是社会主义精神文明的失落,人文精神的问题不是知识分子一个阶层的问题,要走出唯人文主义的误区。人文精神只有以社会主义精神文明建设为依托,才能真正落在实处。第四章讲在马克思主义文艺理论中国化指导下构建人文精神的努力成果——新理性精神。新理性精神站在历史唯物主义的立场上,凸显审美的社会内涵,倡导用理性精神规范、制导文学创作和批评中人文精神的失落,具有重要的理论价值和实际意义。下篇围绕“日常生活审美化”论争展开论述,共分三章。第五章主要述评“日常生活审美化”论争中“新的美学原则”的崛起、被质疑及相应的辩护内容。第六章主要从美学上解读“日常生活”、“审美”、三个概念,力图从理论上澄清它们原本内涵。第七章从马克思主义文艺理论中国化的视阈透析“日常生活审美化”论争,认为“新的美学原则”取消艺术与生活的距离,将物质现实直接等同于艺术,实质上是取消美学原则、取消艺术。“新的美学原则”声称要为美学的感性维度争取地位,实质上是混淆审美感性与感官欲望,客观上起到了为当下的欲望扩张、感官刺激张目的作用。在文坛感性泛滥、感觉、感官至上的今天,“新的美学原则”还一味强调感性和感官的作用,是片面的美学原则,是文艺理论中人文精神缺失的表现。结语部分总结了“人文精神”大讨论和“日常生活审美化”论争,认为文艺理论的发展要以马克思主义文艺理论为指导,坚持文艺理论的人学维度,坚持文艺理论的理性批判功能。“人文精神”和“日常生活审美化”论争的过程也是马克思主义文艺理论中国化的一部分。展望马克思主义文艺理论中国化的人文精神建设,应从人文精神的全球语境、世俗语境和传统语境来着手进行。
[Abstract]:Since the 1990s, with the influence of the market economy and the social transformation, the loss of the humanistic spirit in the literary creation and the literary theory has become a more prominent problem with the trend of western deconstruction and the continuous input of the post-modern topic. The debate on "the great discussion of the humanistic spirit and the aestheticization of daily life" is the debate about the loss of the humanistic spirit. Although the new rational spirit "literature and art theory has long advocated the use of the new rational to guide the humanistic spirit, the theoretical circle of literature and art has not paid enough attention to it. To carry forward the humanistic spirit, to use the humanistic spirit to overcome the increasingly vulgar tendency of literature and art, is the value coordinate of the sinicization of the theory of Marxist literature and art, at the same time, the realization of the humanistic spirit in the literary creation and the theory of literature and art can only fall under the guidance of the Marxist theory of literature and art. On the basis of this, this paper, based on the present new humanism tradition, which has been preliminarily sinicized by the theory of Marxist literature and art, is based on the realistic context of the development of Chinese literature and literary theory, and tries to see from the perspective of the sinicization of the Chinese literature and art theory, Try to give a scientific answer and a creative explanation with the basic principles of Marxist literature and art theory. This will also be one of the important ways to push the sinicization of the Marxist theory of literature and art into the depth and to the new height. This article The article is divided into two parts, and the last part is about the "great discussion and development of the humanistic spirit" This part is divided into four chapters. The first chapter is the main view in the "humanistic spirit" of large-scale discussion The point and the basic question. In the "great discussion of the humanistic spirit, the sharp contrast of the loss theory and the non-loss theory" appeared: the "lost theory" thought that the humanistic spirit had been completely lost in the creation and criticism of the contemporary literature, and the non-loss theory thought that the humanistic spirit had not been lost or the root The great discussion of the humanistic spirit mainly involves the connotation of the humanistic spirit, the humanistic spirit and the intellectual, the humanistic spirit and the market economy, and the reconstruction of the human essence. The second chapter mainly focuses on the main points of reflection on the "great discussion of the humanistic spirit": some people think that the "big discussion of the humanistic spirit" has a strong realistic, realistic, theoretical and practical significance, and it has been accused of "trunk>" human spirit " trunk Some people think that the "big discussion of the humanistic spirit" has the tendency of essentialism; it is thought that the "great discussion of the humanistic spirit" is very strong The third chapter discusses the "humanistic spirit" of the view-threshold dialysis from the sinicization of the Marxist theory of literature and art, and holds that the loss of the humanistic spirit is the loss of the socialist spiritual civilization. The problem of the humanistic spirit is not the problem of the intellectuals. The spirit of humanism is only supported by the construction of socialist spiritual civilization. The fourth chapter focuses on the efforts to build the humanistic spirit under the guidance of the sinicization of the theory of Marxist literature and art. The new rational spirit stands on the position of the historical materialism, highlights the social connotation of the aesthetic, advocates the loss of the humanistic spirit in the rational spirit, the guided literary creation and the criticism, and has an important theoretical price. The Value and the Practical Significance. The next chapter is about the debate of the humanistic spirit. This chapter is divided into three chapters. The fifth chapter mainly reviews the rise, the question and the phase of the "aestheticization of daily life" in the aesthetic of daily life. The first chapter mainly interprets the "daily life", the "aesthetic" and the three concepts from the aesthetics, and tries to clarify from the theory In Chapter 7, the paper argues that the distance between the art and the life of the aesthetic of daily life is the same as that of the art, and the essence is to cancel the original aesthetics. Then, the art is cancelled. The "new aesthetic principle" claims that it is to seek the status for the perceptual dimension of the aesthetics, in essence, to confuse the aesthetic sensibility and the sensual desire, and objectively play a role in expanding the desire for the present and the sense of the sense. It is a one-sided aesthetic principle that is a one-sided aesthetic principle, which is the humanistic essence in the theory of literature and art. The expression of the absence of God. The conclusion of the epilogue summarizes the contentions of the new aesthetic principle, "the great discussion and the humanistic spirit", and holds that the development of the theory of literature and art should be guided by the Marxist theory of literature and art, adhere to the human dimension of the theory of literature and art, and adhere to the theory of literature and art. The process of the dispute between the "humanistic spirit" and the "aestheticization of daily life" is also the theory of Marxist literature and art The development of the humanistic spirit of the sinicization of the theory of Marxist literature and art should be from the global context, the secular context and the traditional language of the humanistic spirit.
【学位授予单位】:复旦大学
【学位级别】:博士
【学位授予年份】:2007
【分类号】:I0
本文编号:2486810
[Abstract]:Since the 1990s, with the influence of the market economy and the social transformation, the loss of the humanistic spirit in the literary creation and the literary theory has become a more prominent problem with the trend of western deconstruction and the continuous input of the post-modern topic. The debate on "the great discussion of the humanistic spirit and the aestheticization of daily life" is the debate about the loss of the humanistic spirit. Although the new rational spirit "literature and art theory has long advocated the use of the new rational to guide the humanistic spirit, the theoretical circle of literature and art has not paid enough attention to it. To carry forward the humanistic spirit, to use the humanistic spirit to overcome the increasingly vulgar tendency of literature and art, is the value coordinate of the sinicization of the theory of Marxist literature and art, at the same time, the realization of the humanistic spirit in the literary creation and the theory of literature and art can only fall under the guidance of the Marxist theory of literature and art. On the basis of this, this paper, based on the present new humanism tradition, which has been preliminarily sinicized by the theory of Marxist literature and art, is based on the realistic context of the development of Chinese literature and literary theory, and tries to see from the perspective of the sinicization of the Chinese literature and art theory, Try to give a scientific answer and a creative explanation with the basic principles of Marxist literature and art theory. This will also be one of the important ways to push the sinicization of the Marxist theory of literature and art into the depth and to the new height. This article The article is divided into two parts, and the last part is about the "great discussion and development of the humanistic spirit" This part is divided into four chapters. The first chapter is the main view in the "humanistic spirit" of large-scale discussion The point and the basic question. In the "great discussion of the humanistic spirit, the sharp contrast of the loss theory and the non-loss theory" appeared: the "lost theory" thought that the humanistic spirit had been completely lost in the creation and criticism of the contemporary literature, and the non-loss theory thought that the humanistic spirit had not been lost or the root The great discussion of the humanistic spirit mainly involves the connotation of the humanistic spirit, the humanistic spirit and the intellectual, the humanistic spirit and the market economy, and the reconstruction of the human essence. The second chapter mainly focuses on the main points of reflection on the "great discussion of the humanistic spirit": some people think that the "big discussion of the humanistic spirit" has a strong realistic, realistic, theoretical and practical significance, and it has been accused of "trunk>" human spirit " trunk Some people think that the "big discussion of the humanistic spirit" has the tendency of essentialism; it is thought that the "great discussion of the humanistic spirit" is very strong The third chapter discusses the "humanistic spirit" of the view-threshold dialysis from the sinicization of the Marxist theory of literature and art, and holds that the loss of the humanistic spirit is the loss of the socialist spiritual civilization. The problem of the humanistic spirit is not the problem of the intellectuals. The spirit of humanism is only supported by the construction of socialist spiritual civilization. The fourth chapter focuses on the efforts to build the humanistic spirit under the guidance of the sinicization of the theory of Marxist literature and art. The new rational spirit stands on the position of the historical materialism, highlights the social connotation of the aesthetic, advocates the loss of the humanistic spirit in the rational spirit, the guided literary creation and the criticism, and has an important theoretical price. The Value and the Practical Significance. The next chapter is about the debate of the humanistic spirit. This chapter is divided into three chapters. The fifth chapter mainly reviews the rise, the question and the phase of the "aestheticization of daily life" in the aesthetic of daily life. The first chapter mainly interprets the "daily life", the "aesthetic" and the three concepts from the aesthetics, and tries to clarify from the theory In Chapter 7, the paper argues that the distance between the art and the life of the aesthetic of daily life is the same as that of the art, and the essence is to cancel the original aesthetics. Then, the art is cancelled. The "new aesthetic principle" claims that it is to seek the status for the perceptual dimension of the aesthetics, in essence, to confuse the aesthetic sensibility and the sensual desire, and objectively play a role in expanding the desire for the present and the sense of the sense. It is a one-sided aesthetic principle that is a one-sided aesthetic principle, which is the humanistic essence in the theory of literature and art. The expression of the absence of God. The conclusion of the epilogue summarizes the contentions of the new aesthetic principle, "the great discussion and the humanistic spirit", and holds that the development of the theory of literature and art should be guided by the Marxist theory of literature and art, adhere to the human dimension of the theory of literature and art, and adhere to the theory of literature and art. The process of the dispute between the "humanistic spirit" and the "aestheticization of daily life" is also the theory of Marxist literature and art The development of the humanistic spirit of the sinicization of the theory of Marxist literature and art should be from the global context, the secular context and the traditional language of the humanistic spirit.
【学位授予单位】:复旦大学
【学位级别】:博士
【学位授予年份】:2007
【分类号】:I0
【引证文献】
相关硕士学位论文 前2条
1 金建吾;韩国历史题材电视剧研究[D];黑龙江大学;2011年
2 刘若斌;苏轼“自我超越”的人文精神初探[D];山东师范大学;2008年
本文编号:2486810
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