莱蒙托夫诗歌含义的生成模式研究

发布时间：2018-03-28 17:43

本文选题：莱蒙托夫　切入点：诗歌含义　出处：《东北林业大学》2014年硕士论文

【摘要】：诗歌是最早产生的文学体裁之一,是人类的文学之母。诗是一种词语凝练、结构跳跃、富有节奏和韵律、高度集中地反应生活和表达思想感情的文学体裁。自有诗歌以来,人类就对这一特殊的语言现象及言语产物的构成要素、结构、功能及其生成规律展开了不懈的研究。而诗歌含义是是诗人构思作品的本源,也是诗歌创作的终点。对于诗歌含义的研究有利于更深入地了解诗人的写作意图和诗歌的深层含义。相对于其他俄罗斯经典作家而言,十九世纪俄罗斯诗人莱蒙托夫的抒情诗更具象征性、暗示功能,诗意又具有多意性,为我们对其诗歌含义的研究留有更大的探索空间。本文借助于诗歌含义生成模式中的陌生化、等价和平行对照原则三个理论,来讨论莱蒙托夫诗歌含义的生成。本研究第一部分为绪论部分。主要介绍了课题的研究背景、研究目的和意义、研究方法和内容以及创新之处;第二部分介绍了诗歌含义的界定及莱蒙托夫的作品评述；第三部分介绍陌生化的相关理论及手法,并从语言的陌生化、叙述视角的陌生化和主题的陌生化角度对莱蒙托夫的诗歌进行具体的分析,来探究其诗歌的深层含义；第四部分主要研究莱蒙托夫诗歌含义生成模式的等价原则,本部分首先阐述了等价原则的相关理论以及等价原则的主要内容,并借助这一原理对莱蒙托夫的诗歌进行分析；第五部分借助诗歌含义生成的平行对照理论并以此原则为理论对照分析莱蒙托夫诗歌含义的生成。首先介绍了平行对照在文本中的具体表现及其实质,之后从词汇的平行对照和句型的平行对照两个方面对莱蒙托夫的诗歌进行具体分析。在一首诗歌作品中陌生化原则、等价原则和平行对照三原则对其诗歌含义的产生作用是相辅相成的,但是为了论述的完整性和条理性,笔者将他们分开来论述,这也是本文的创新之处。
[Abstract]:Poetry is one of the earliest literary genres and the mother of human literature. Poetry is a literary genre with condensed words, leaping structure, rhythm and rhythm, and highly concentrated reflection of life and expression of thoughts and feelings. Human beings have made unremitting research on this special linguistic phenomenon and the elements, structures, functions and rules of formation of the speech products. The meaning of poetry is the origin of the poet's conception. It is also the end of poetry creation. The study of the meaning of poetry is conducive to a deeper understanding of the poet's intention in writing and the deep meaning of poetry. The lyric poems of Lemontov, a Russian poet in the nineteenth century, are more symbolic, implicative, and poetic. This paper discusses the generation of Lemontov's poetic meaning with the help of the three theories of defamiliarization equivalence and parallel contrast. The first part of this study is the introduction part. It mainly introduces the research background, the research purpose and significance, the research method and the content as well as the innovation, the second part introduces the definition of poetry meaning and the review of Lemontov's works. The third part introduces the relevant theories and techniques of defamiliarization, and analyzes Lemontov's poetry from the defamiliarization of language, narrative angle of view and theme of defamiliarization, in order to explore the deep meaning of Lemontov's poetry. The fourth part mainly studies the equivalence principle of Lemontov's poetry meaning generation pattern. This part first expounds the relevant theory of the equivalence principle and the main content of the equivalence principle, and analyzes Lemontov's poetry with this principle; The fifth part analyzes the generation of Lemontov's poetry meaning with the help of the parallel contrast theory of poetry meaning generation and the principle. Firstly, it introduces the concrete expression and essence of parallel contrast in the text. Then it analyzes Lemontov's poems from two aspects of lexical parallel contrast and sentence pattern parallel contrast. In a poem, the principle of strangeness, the principle of equivalence and the principle of parallel contrast complement each other to produce the meaning of poetry. This is also the innovation of this paper.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I512.072

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