合成空间理论和诗歌翻译

发布时间：2018-01-15 18:35

本文关键词：合成空间理论和诗歌翻译　出处：《广西大学》2004年硕士论文　论文类型：学位论文

【摘要】：诗歌是一种特殊的文学形式，曾经写下中国古代文学史上最辉煌的篇章。随着中外跨文化交流的迅速发展，文学翻译中备受瞩目的诗歌翻译也越来越呈显繁荣之态。虽然目前译作大量出现，但诗歌翻译质量并不尽如人意。如何把中国古代诗歌更好地向世界推介已成为每位文学译者不可回避的严肃课题。中国古代诗歌语言高度含蓄、凝练，其意象更具独特的艺术魅力。译者对诗歌意象的认知及其程度直接决定他在翻译过程中对意象编码和解码的操作，也直接影响译本质量。可以说意象转换过程是诗歌翻译的核心。本文意在通过空间合成理论探讨中国诗歌意象在英译过程中的传递，以期提高诗歌翻译的质量。笔者在论文中引入了认知语言学领域的“空间合成理论”，它是一个基于四位心理空间框架的认知结构理论。随后，笔者介绍了意象的由来及发展。中国古代诗歌的意象比西方意象派的意象概念范围更广，意义更微妙。接着，利用空间合成理论这种认知手段先分析了作者在创作过程中的交织运作。再分析在汉文化背景下一首诗的众多意象是如何相互影响彼此的映射和交织而被读者理解的。然后笔者从交织理论的角度把翻译活动解构成两个独立的交织过程。对于翻译效果的评价，本文通过理论和问卷对《天净沙·秋思》的两个译本进行深入分析比较，得出结论：Schlepp所使用的直译方法更适合应用于古代诗歌翻译。因为直译在形式上更贴近原文文本框架，能给译人语读者留下最大限度的解读和审美空间。基于此，笔者提出自己的观点，认为诗歌翻译应接受直译法，用简洁的语句留给目的语读者以最大的审美空间。中国古代诗歌翻译应尽量保持中国古代诗歌的原貌和初始意象。英译过程中我们应该努力做到：越初始越好。同时提出：文化交流中应本着交流双方地位平等原则。
[Abstract]:Poetry is a special form of literature, which has written the most brilliant chapter in the history of ancient Chinese literature. With the rapid development of cross-cultural communication between China and foreign countries. Poetry translation, which has attracted more and more attention in literary translation, is becoming more and more prosperous, although there are a large number of translations at present. However, the quality of poetry translation is not satisfactory. How to better introduce Chinese ancient poetry to the world has become a serious issue that every literary translator cannot avoid. The language of ancient Chinese poetry is highly implicit and concise. The translator's cognition of poetic image and its degree directly determine his operation of image coding and decoding in the process of translation. It can be said that the process of image conversion is the core of poetry translation. The purpose of this paper is to explore the transfer of Chinese poetry imagery in the process of translation through space synthesis theory. In order to improve the quality of poetry translation. In this paper, the author introduces the theory of space synthesis in the field of cognitive linguistics, which is a cognitive structure theory based on a four-bit mental spatial framework. The author introduces the origin and development of image. The image of ancient Chinese poetry has a wider range and more subtle meaning than that of western imagism. Here we go. By using the theory of spatial synthesis, this paper first analyzes the interwoven operation of the author in the process of creation, and then analyzes how many images of a poem affect each other's mapping and interweaving under the background of Chinese culture. Then the author deconstructs translation activities into two independent interleaving processes from the perspective of interleaving theory. With regard to the evaluation of translation effects, this paper makes an in-depth analysis and comparison of the two versions of Tianjingsha Qiushi by means of theory and questionnaire. It is concluded that the literal translation method used by: Schlepp is more suitable for the translation of ancient poetry, because literal translation is closer to the original text frame in form. Based on this, the author puts forward his own view that poetry translation should accept literal translation. The translation of ancient Chinese poetry should keep the original appearance and initial image of ancient Chinese poetry as far as possible. At the same time: cultural exchange should be based on the principle of equal status between the two sides.
【学位授予单位】：广西大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I046

【共引文献】