20世纪初中日无产阶级诗歌比较研究

发布时间：2018-03-07 19:47

本文选题：中日无产阶级诗歌　切入点：诗歌理论　出处：《西南大学》2012年硕士论文　论文类型：学位论文

【摘要】：中日无产阶级诗歌作为世界无产阶级文学的重要组成部分,于20世纪初至30年代在亚洲掀起了红色的浪潮,唱出了时代的最强音。诗评家与诗人在对无产阶级诗歌的理论建设与创作环节中均进行了崭新的尝试,为中日新诗的发展拓宽了道路。尽管中国无产阶级诗歌的发展带有不可磨灭的日本烙印,然而中国诗人在特殊的历史环境下,经过自身不断的努力使得本国无产阶级诗歌焕发出绚烂的光彩。中日现代文学的关系问题一直以来受到学术界的普遍关注,而以无产阶级诗歌作为切入点不失为一次有益的尝试,既可以廓清两者发展的脉络,更可以此揭示诗歌(甚至文学)发展的一般规律,梳理导致文学现象发生、发展、没落的原因,进而为中日无产阶级文学研究提供新的视角。对中日无产阶级诗歌的论述主要从以下几个部分展开：第一章主要使用了影响研究的方法,将两者的形成过程完整地呈现出来,从外部影响与内在发展两方面对其成因进行了分析与总结,并评价了其积极意义与消极影响,为后面章节的论述提供了依据。第二章与第三章运用了平行研究的方法,分别从理论与创作两个方面对中日无产阶级诗歌发展中所呈现出的异同点及其原因进了分析。由于两者理论发展的脉络大致相同,因此,第二章主要就其差异进行了论述。同时,由于两者在创作方面各具特色且发展的时间断线存在差异,所以第三章在此基础上,从诗歌创作的内容与形式上对两者呈现出的共性进行了归纳与分析,解释了二者和而不同的特点。当然,这一论题的外延是十分广泛的,因此,可选取的研究角度也是多元的,本文从诗歌角度研究,纵然不能穷其全部,但换一个视角看问题,对于学术研究来说是非常有益的。
[Abstract]:As an important part of the world proletarian literature, Chinese and Japanese proletarian poetry set off a red tide in Asia from the beginning of 20th century to 30s. Poetry critics and poets have made a new attempt in the theoretical construction and creation of proletarian poetry. Although the development of Chinese proletarian poetry has an indelible Japanese brand, Chinese poets are in a special historical environment. Through their own continuous efforts to make our proletarian poetry radiate brilliant brilliance. The relationship between Chinese and Japanese modern literature has always been the subject of widespread concern in academic circles. Taking proletarian poetry as a starting point is a useful attempt to clarify the context of their development. It can also reveal the general law of the development of poetry (or even literature), comb the causes of the occurrence, development and decline of literary phenomena, and then provide a new perspective for the study of proletarian literature in China and Japan. The discussion of proletarian poetry in China and Japan is mainly carried out in the following parts:. The first chapter mainly uses the method of influence research, presents the formation process of both of them completely, analyzes and summarizes the causes of their formation from two aspects of external influence and internal development, and evaluates their positive and negative effects. It provides the basis for the discussion of the following chapters. The second and third chapters use parallel research methods to analyze the similarities and differences in the development of Chinese and Japanese proletarian poetry from the two aspects of theory and creation. Therefore, the second chapter mainly discusses their differences. At the same time, because of the differences of their creative characteristics and the time of development, the third chapter is based on this. This paper sums up and analyzes the generality of the two from the content and form of poetry creation, and explains their characteristics of harmony but difference. Of course, the extension of this thesis is very extensive, therefore, the research angle that can be selected is also diverse. This paper studies from the perspective of poetry, even though it can not be exhaustive, but from another angle of view to see the problem. It is very useful for academic research.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I0-03;I106.2

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