18世纪以来西方艺术创作审美取向与批评标准的嬗变

发布时间：2018-03-21 03:27

本文选题：艺术创作　切入点：审美取向　出处：《浙江艺术职业学院学报》2011年04期 　论文类型：期刊论文

【摘要】：在人类的历史发展中,审美取向的变化常常导致艺术批评标准的相应改变。康德、格林伯格都认为美是客观的,美的内涵是纯净、有秩序、高尚的;而格朗基美学却将庸俗、丑陋等也归于美的范畴。当代审美批评取向正不断从单向度走向宽容、求异、繁复多元的格局。这一变化,是人类自我意识形态从无意识到有意识,到当代多元文化发展对有意识、无意识的形态在更高层次上对人类自我意识发展的复归,也是创造更加生动、多样同时又符合人类意识发展更高水平的新的艺术形式的辩证过程。人类审美取向与艺术批评标准之所以嬗变,是因为美并不是一种客观存在,而更多地存在于人类主观的美感之中,美的实质是人们主观的审美判断。人类对于美的统摄力,这种富有自我确认、体现人身自由意义的审美意识,对人类的生活、行为和态度,必将继续发挥其重要的影响。
[Abstract]:In the development of human history, the change of aesthetic orientation often leads to a corresponding change in the standard of artistic criticism. Kant and Greenberg all think that beauty is objective, and the connotation of beauty is pure, orderly and noble, while Grande's aesthetics will be vulgar. Ugliness and so on also belong to the category of beauty. The contemporary aesthetic criticism orientation is constantly moving from unidirectional to tolerant, diverse and complicated pattern. This change is human self-ideology from unconscious to conscious. To the contemporary multicultural development of conscious, unconscious forms on a higher level of human self-consciousness development, but also to create more vivid, At the same time, the dialectical process of the new art form, which conforms to the higher level of the development of human consciousness, is the dialectical process. The reason for the evolution of human aesthetic orientation and the standard of art criticism is that beauty is not an objective existence. The essence of beauty is people's subjective aesthetic judgment. Behavior and attitude, will continue to play its important role.
【作者单位】：江苏省文化艺术研究院;
【基金】：国家“985工程”三期“艺术与创意产业研究”哲学社会科学创新研究基地项目;国家“985工程”三期“跨文化与全球化研究”重大项目阶段性成果国家“211工程”三期“艺术学理论创新与应用研究”重大项目阶段性成果之一
【分类号】：J110.9

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