从“意”与“象”到“意象”
发布时间:2018-03-21 07:50
本文选题:立象以尽意 切入点:意象 出处:《文艺研究》2009年06期 论文类型:期刊论文
【摘要】:正早在殷周之占筮与星象学中,先民们便形成了最初认识世界的思维模式,其中便有了"象"的雏形。"象"在中国文化中既可以指自然的物体形态,同时也是一个哲学概念。"圣人立象以尽意,设卦以尽情伪"(《周易.系辞上》)。"象"的提出从一开始便具有宗教思维的抽象
[Abstract]:As early as in divination and astrology in Yin and Zhou dynasties, the ancestors formed the initial mode of thinking of understanding the world, in which there was the embryonic form of "elephant", which can refer to the natural object form in Chinese culture. At the same time, it is also a philosophical concept. "the sage set up the image to the best of his will, and set up the divinatory symbols to make the most of the bogus" ("Zhouyi"). From the very beginning, "Xiang" was presented with the abstract thinking of religion.
【作者单位】: 衡阳师范学院美术系;
【分类号】:J01
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