真武信仰在造型艺术中的体现

发布时间：2018-03-21 10:03

本文选题：造型艺术　切入点：玄武　出处：《中华文化论坛》2011年04期 　论文类型：期刊论文

【摘要】：玄武是中国传统文化的"四象"之一,为龟蛇合体,象征北方的灵兽。在二十八宿中,玄武是北方七宿的总称,又是镇守北方之神。道教建立后,玄武被纳入道教神仙谱系。宋以后玄武又称为真武、玄天上帝,在民间信仰中仅次于三清、玉皇大帝等,演化成为独立的、人格化了的大神。通过造型艺术可以直观清晰的看到,龟蛇相绕的意象化涵义与真武伟岸的人格化造型及其信仰。
[Abstract]:Black Tortoise is one of the "four elephants" of Chinese traditional culture. He is a tortoise and snake, symbolizing the spirit and beast of the north. In 28 places, Black Tortoise is the general name of the seven nights in the north, and also the god of the north. After the establishment of Taoism, Black Tortoise was included in the pedigree of Taoist immortals. After the Song Dynasty, Black Tortoise, also known as Zhenwu and God, became independent after the three Qing dynasties, the Jade Emperor and so on in the folk belief. Through the plastic arts, we can see the image meaning of turtle and snake around and the personification modeling and belief of Zhenwu Weian.
【作者单位】：广西师范大学;
【基金】：2010年度教育部人文社会科学研究规划基金项目《道教绘画史研究》(项目批准号:10YJAZH121)阶段性成果
【分类号】：J19

【共引文献】