当下美术馆建设热中的职能缺失

发布时间：2018-03-28 15:32

本文选题：公众教育　切入点：个人收藏　出处：《美术观察》2014年05期

【摘要】：正近十年来,随着经济快速发展和文化繁荣,中国的美术馆建设进入高速发展的阶段,每年都有新的美术馆和个人收藏馆落成开馆,许多美术馆的硬件设施力追世界一流。但是,各类美术馆的快速落成并不代表拥有了合格的馆藏和学术研究能力,更不意味着对公众教育功能的实现。一、美术馆固定作品收藏展示的匮乏当前,无论是基于政府建构公共文化服务体系初衷之上的公立美术馆,还是民间资本投资建立的民办私营美术馆,其建馆速度快、规模大、档次高已成共识,国内美术馆建筑面积动辄二三万平方米,但是美术馆建设仅有硬件是远远
[Abstract]:In the past decade, with the rapid economic development and cultural prosperity, the construction of art galleries in China has entered a stage of rapid development. Every year, new galleries and individual collections are opened. Many art galleries have hardware facilities that catch up with the world class. However, the rapid completion of various galleries does not mean that they have qualified collections and academic research capabilities, let alone the realization of the public education function. The lack of the collection and display of the museum's fixed works is not only a public art museum based on the original intention of the government to construct a public cultural service system, but also a private art museum run by private people with private capital investment. The museum is built quickly and on a large scale. It has become a consensus that the building area of art galleries in China is more than 200, 000 square meters, but only hardware is far away from the construction of art galleries.
【作者单位】：安徽大学艺术学院;
【分类号】：J124

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