艺术实体与审美的暂时性

发布时间：2018-04-16 22:21

本文选题：暂时性 + 当代艺术　；参考：《美术观察》2010年02期

【摘要】：在当代西方社会,"艺术"的本质及其存在形态,与前现代社会相比早已发生了深刻变化。作为一位有前瞻性眼光的艺术批评家,哈罗德·罗森堡在20世纪80年代初,针对当代社会艺术品形态的转型和传播过程、传播环境的变化,对艺术的本质和审美上的特性做了探索性的梳理总结。他的这篇艺术理论文献在今天读来仍有较高的参考价值。郑式将此文译出并增加了注释,推荐读者关注。视觉艺术管理的概念引入国内不过几年时间,人们已经越来越意识到对视觉艺术进行有效管理的重要性。本期刊发的马健的文章,对国外艺术银行的运作模式做了概要性的介绍。这种艺术管理方式在国内目前还处于起步阶段,多数人对这一"新事物"也还没有清晰的概念,因此马健一文非常值得一读。
[Abstract]:In contemporary western society, the essence and existing form of "art" have already undergone profound changes compared with the pre-modern society.As a forward-looking art critic, Harold Rosenberg, in the early 1980s, aimed at the transformation and communication process of contemporary social art form, the change of communication environment.The essence of art and aesthetic characteristics of the exploration of the summary.His literature on art theory is still of high reference value in reading today.Zheng has translated and added notes to this article, recommending readers' attention.It is only a few years since the concept of visual art management was introduced in China that people have become more and more aware of the importance of the effective management of visual art.Ma Jian's article, published in this issue, gives a brief introduction to the operation mode of foreign art banks.This art management method is still in its infancy in China, and most people do not have a clear concept of this "new thing", so Ma Jian's article is worth reading.
【作者单位】：中央美术学院美术史系;
【分类号】：J01

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