略论当代艺术的变异

发布时间：2018-05-06 02:03

本文选题：形而上情结 + 形而上学超越性　；参考：《华中师范大学》2003年硕士论文

【摘要】： 本文主要是从当代艺术进入市场流通沦为单纯商品的历史现状来具体分析传统艺术的变异，主要分析艺术精神的流失。艺术变异的终极原因是当代艺术自身的“形而上情结”的稀薄，实际上很大程度上表现为人的终极关怀的淡薄，根本上讲，即人被过度物化的僵化机械的“有”遮蔽了心灵，从而失去了心灵的浩瀚与丰富；这种“有”是一种失去了与“无”的有机联系的“有”，是人的“有”与“无”的对抗的分裂、消解与遗忘。另外，对传统过于片面的否定、继承不足造成了当代艺术中难免片面的创造和超越，，即当代艺术显示出一种人性心灵发展上的断裂与不和谐。因此，这种“形而上情结”的稀薄也就具体表现在当代艺术所应具有的丰富与和谐的超越性的亏缺，而艺术的传统魅力正体现于它对于日常生活和历史的双重与多维意义上的超越上，这种超越性和与之相附的优良的功能正从形式和内容两方面发生变异，本文所要并进一步分析的是这种变异的弊端和原因；并进一步，对文化产业中的机械复制问题进行相关性分析。因此，为抵制当代艺术的有害的变异，本文的初步观点与结论即是：艺术必须复兴“形而上情结”，这需要从艺术传统、日常生活、大自然学习，即如何令终极关怀与世俗日常关怀并行不悖，达到和谐，从而使当代艺术获得他应该具有的丰富的、和谐的超越性。从外部联系来讲，艺术的寂寞也在于艺术传统过于倾向非世俗的一面，当代艺术的矛盾也正很大部分地体现在俗与雅的难以调和中。因此，在当代艺术不得不走入市场化的今天，这一传统惯性有必要得到改善，故有必要强调艺术的“交往理性”，强调艺术的对话功能、世俗性、日常审美性；同时，我们也必须看到，艺术的雅并不能很快的世俗化或市场化，因此，在提倡艺术“交往理性”的同时还应该考虑到一定的“计划理性”的保障。
[Abstract]:This paper mainly analyzes the variation of traditional art and the loss of artistic spirit from the historical situation that contemporary art enters the market and becomes a mere commodity. The ultimate cause of artistic variation is the thinness of "metaphysical complex" of contemporary art itself, which in fact shows to a great extent the weakness of human ultimate concern. Fundamentally speaking, people are obscured by the ossified mechanical "being" of excessive materialization. This kind of "being" is a kind of "being" which has lost the organic connection with "nothing", is the division of the confrontation between "being" and "nothing" of human beings, the dissolving and forgetting of "being" and "nothing". In addition, the over-one-sided negation of tradition and the lack of inheritance lead to the inevitable one-sided creation and transcendence in contemporary art, that is, contemporary art shows a kind of breaking and disharmony in the development of human nature. Therefore, the thinness of this metaphysical complex is embodied in the deficiency of the transcendental nature of the richness and harmony that contemporary art should possess. The traditional charm of art is embodied in its transcendence over daily life and history in a dual and multidimensional sense. This transcendence and the excellent function attached to it are mutating in form and content. What this article wants and further analyzes is the malpractice and the reason of this kind of variation, and further, carries on the correlation analysis to the question of the mechanical replication in the cultural industry. Therefore, in order to resist the harmful variation of contemporary art, the preliminary view and conclusion of this paper is that art must revive "metaphysical complex", which needs to learn from artistic tradition, daily life, and nature. That is, how to make the ultimate care go hand in hand with the secular daily care, to achieve harmony, so that contemporary art should have the rich, harmonious transcendence. From the external connection, the loneliness of art also lies in that the art tradition is too inclined to the non-secular side, and the contradiction of contemporary art is also reflected in the irreconcilable between vulgarity and elegance. Therefore, when contemporary art has to go into the market, it is necessary to improve this traditional inertia, so it is necessary to emphasize the "communicative rationality" of art, the function of dialogue, the secular nature, the daily aesthetic quality of art; at the same time, We must also see that the elegance of art can not be quickly secularized or market-oriented. Therefore, the guarantee of "planning rationality" should be taken into account while advocating "communicative rationality" of art.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J02

【引证文献】