译者主体性在张振玉译本《京华烟云》中的体现

发布时间：2018-05-24 11:15

本文选题：译者主体性 + 张振玉　；参考：《湖南师范大学》2011年硕士论文

【摘要】：在传统的翻译理论中,译者主体性一直被遮掩,很少受到关注。随着20世纪70年代末的“文化转向”,各种新的翻译理论和研究方法层出不穷,译者主体性越来越受到重视。最近几十年,一方面缘于人们对翻译的进一步了解,另一方面缘于翻译实践者的孜孜努力,译者主体性地位日益显著。译者主体性或与各种翻译理论相结合,或成为一个独立的翻译理论被大家研究。 Moment in Peking是文学大师林语堂的巨作,享誉国内外,张振玉的《京华烟云》是其中的译本,作者通过对林语堂原作和张振玉译本进行的详细的比较分析,得出：从选择原文本,译文文学形式和中文标题,到运用多样的翻译方法和四字成语的广泛使用,无不彰显张振玉的译者主体性。理论和实践都证明每一部译作都是译者主体性的体现,都留下了译者的足迹。
[Abstract]:In the traditional translation theory, the translator's subjectivity has been obscured and little attention has been paid to it. With the "cultural turn" in the late 1970s, various new translation theories and research methods have emerged in endlessly, and the subjectivity of the translator has been paid more and more attention. In recent decades, due to the further understanding of translation and the hard work of translation practitioners, the subjectivity of translators has become increasingly prominent. The translator's subjectivity is either combined with various translation theories or becomes an independent translation theory. Moment in Peking is a masterpiece of literature master Lin Yutang, famous both at home and abroad, Zhang Zhenyu's "Jinghua Yanyun" is the translation of it. The author makes a detailed comparative analysis of Lin Yutang's original work and Zhang Zhenyu's translation, and draws the following conclusions: from the selection of the original text, The literary form and Chinese title of the translated text, as well as the extensive use of various translation methods and four-character idioms, reveal Zhang Zhenyu's subjectivity as a translator. Both theory and practice prove that every translation reflects the translator's subjectivity and leaves the translator's footprints.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：H059;I046

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