传媒艺术的审美属性

发布时间：2018-06-03 20:18

本文选题：传媒艺术 + 传统艺术　；参考：《现代传播-中国传媒大学学报》2009年01期

【摘要】：传媒对艺术的影响是划时代的。电子科技使传媒形成了与以往任何的艺术样式都不可同日而语的艺术形态。当代美学与日常生活有着不解之缘,"日常生活审美化"虽然体现了美学的转向,却不足以建构当代美学的内在机理,艺术作为人的审美之维还是当仁不让地应该成为美学研究的主要角色。传媒艺术作为当代艺术的整合性概念,是在与传统艺术相对举意义上提出来的,它为当下的审美活动提供了最主要的对象和审美经验。传媒艺术固然包括了传统艺术的内容,但是传媒艺术的时代性特征,又是我们探讨新的审美方式的逻辑起点。在传统艺术中,艺术家的形式创造特征是显性的,欣赏者在面对艺术品的时候,所感悟到和鉴赏的首当其冲是艺术家的形式创造能力和独特的艺术风格,"形似"并非艺术家的首要追求。而传媒艺术供我们观赏的图像在运动着的时空中被摄录,又在运动着的时空中被播放,因此,就显得异常真实。与传统艺术相比,主体的形式创造因素在欣赏者面前淡化退居其后。距离感的消解,审美主体对于对象的融入,在传媒艺术的审美过程中是普遍的。传统美学主张"无利害"的审美,也就是远离欲望,传媒艺术的审美则是和欲望密切相关的。在传统艺术中,娱乐的功能只是诸多功能之一,而且决不会占有首要的位置;而在传媒艺术中,快感成为人们最主要的审美需要,娱乐提供了最为普遍、广受欢迎的快感资源。传媒与生活密切相关,但传媒不能等同于日常生活,审美在日常生活的呈现不能取代美学研究。
[Abstract]:The influence of the media on art is epoch-making. Electronic technology has made the media form an art form which can not be compared with any other art style in the past. There is an inextricable relationship between contemporary aesthetics and daily life. Although "Aesthetic of Daily Life" embodies the turn of aesthetics, it is not enough to construct the internal mechanism of contemporary aesthetics. Art, as the aesthetic dimension of human beings, should be the main role of aesthetic research. As the concept of integration of contemporary art, media art is put forward in the sense of contrast with traditional art. It provides the most important object and aesthetic experience for the current aesthetic activities. Media art includes the content of traditional art, but the characteristics of media art are the logical starting point for us to explore new aesthetic methods. In traditional art, the artist's form-creation features are dominant, and the viewer is faced with the art. The feeling and appreciation are the artist's ability of form creation and unique artistic style, and "likeness" is not the artist's first pursuit. The media art for us to watch the image in the moving time and space is recorded, and in the moving time and space is played, therefore, it appears to be very real. Compared with the traditional art, the form creation factor of the subject is desalinated and retreated in front of the appreciator. The resolution of distance and the integration of aesthetic subjects into objects are common in the aesthetic process of media art. Traditional aesthetics advocates the "no-interest" aesthetics, that is, far from desire, while the aesthetics of media art is closely related to desire. In traditional art, the function of entertainment is only one of many functions, and it will never occupy the primary position; in the media art, pleasure becomes the most important aesthetic need of people, and entertainment provides the most popular and popular pleasure resources. Media is closely related to life, but media cannot be equated with daily life, and aesthetic representation in daily life cannot replace aesthetic research.
【作者单位】：中国传媒大学;中国传媒大学文学院;中国传媒大学审美文化研究所;
【分类号】：G206;J01

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