波希米亚恶作剧:历史先锋派的艺术行为方法

发布时间：2018-06-19 19:16

本文选题：文体 + 大文学观　；参考：《湘潭大学学报(哲学社会科学版)》2010年02期

【摘要】：大文学观与纯文学观相对应,是一种具有文体超越性的文学观念,构成中国审美文化传统的一个基本特征,以孔子为代表的儒家则为大文学观的树立奠定了最为重要的美学基础。作为当下文学理论的一种新的研究范式,文化社会学是对文化研究的一种积极回应,其最终目的是在跨学科的研究视域中复归文学的审美指向和批判指向。修辞学在20世纪成为一门显学,修辞是如何在包括文学在内的话语活动中进行审美建构的,这就要走向转义修辞研究。转义中发生的不只是话语形式的变化,同时也重构了新的认知内容,这正体现了人们理解和认知世界的审美需求。寓言是一种历史悠久的文学样式,通过对寓言的起源、主角、原型和形式展开研究,可以看到寓言不同于其他文体的关键在于它"言此意彼"的言说方式。恶作剧是先锋派重要的艺术行为理路。波希米亚恶作剧是先锋派最具杀伤力的独门武器,一种特殊的形式智慧。
[Abstract]:The view of great literature corresponds to the view of pure literature, which is a literary idea with style transcendence and constitutes a basic characteristic of Chinese aesthetic culture tradition. Confucianism, represented by Confucius, laid the most important aesthetic foundation for the establishment of the grand literary view. As a new research paradigm of contemporary literary theory, cultural sociology is a positive response to cultural research. Its ultimate purpose is to return to the aesthetic direction and critical direction of literature in the interdisciplinary research field. Rhetoric has become a prominent study in the 20th century. How rhetoric is constructed in the discourse activities, including literature, will lead to the study of metaphorical rhetoric. What happens in escape is not only the change of discourse form, but also the reconstruction of new cognitive content, which reflects the aesthetic needs of people to understand and recognize the world. Fable is a literary style with a long history. By studying the origin, protagonist, archetype and form of fable, we can see that the key of fable being different from other styles lies in its way of expressing meaning. Mischief is the vanguard's important artistic behavior. Bohemian pranks are the vanguard's single most lethal weapon, a special form of wisdom.
【作者单位】：湖南工业大学文学与新闻学院;
【分类号】：J1109

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