中西叙事概念“间架”与“插曲”辨析

发布时间：2018-06-19 22:45

本文选题：叙事概念 + 间架结构　；参考：《文艺理论研究》2009年03期

【摘要】：本文提出"间架"与"插曲"在中国与西方叙事理论中都是表征情节结构的概念,中国理论家称为间架,西方理论家称为插曲。间架来源于建筑概念,本义指房屋建筑的结构。中国古代语言家、文章家、书法家、画家、小说家、诗话戏曲理论家和小说评点家以建筑的间架为自己认识结构的出发点。小说评点家从空间视角评价小说错综复杂的情节,称章回小说结构为间架。插曲来源于音乐戏剧概念,指叙事中插入的一段情节,一个事件,一个片断。西方理论家从时间视角评价小说的线性叙事,称复杂的小说结构为插曲,并特指中国章回小说结构是"缀段式",带有讥评。间架与插曲是中西理论家对叙事结构的不同称谓,因创作观念和文化品格不同所致。
[Abstract]:This paper puts forward the concept of "interframe" and "interlude" in both Chinese and Western narrative theories, which are called interframe by Chinese theorists and interlude by western theorists. The frame comes from the concept of architecture, which refers to the structure of the building. Ancient Chinese linguists, writers, calligraphers, painters, novelists, poetic opera theorists and novel critics take the frame of architecture as the starting point for their understanding of the structure. The critique evaluates the intricate plot of the novel from the perspective of space and calls the structure of Zhang Hui a frame. The episode originates from the concept of musical drama, which refers to a plot, an event, and a fragment inserted in the narrative. The western theorists evaluate the linear narration of the novel from the perspective of time, calling the complex novel structure as an interlude, and especially referring to the structure of the Chinese Zhang Hui novel as "affixed paragraph type" with satirizing comments. Interlude and interlude are different appellations of narrative structure between Chinese and western theorists, which are caused by different creative concepts and cultural character.
【作者单位】：暨南大学文学院;
【分类号】：I04

【共引文献】