艺术语言符号的生成及其言语形式
发布时间：2018-11-04 21:22
【摘要】：艺术语言是一种言语的变异使用，是人类表情达意的重要工具。本文借鉴符号学的理论和研究方法，分析艺术语言作为语言符号所具有的特点，展示了艺术语言符号作为一种特殊的言语符号形式区别于科学语言符号的构建模式，探讨了艺术语言符号生成的多种动因以及由此所产生的两种类别形式。论文力图从符号学角度为艺术语言研究提供一个新的视角。 第一部分“概论”，，对本文所使用的术语“艺术语言符号”进行界定，并对艺术语言的一些特点进行了综述，同时提出了本文的基本研究思路和主要的研究方法。 第二部分通过对符号学的理论引入中试图寻找符号学与艺术语言的接缘点，并从特征和功能两个方面论述了艺术语言符号和科学语言的差异。 第三部分分析了艺术语言符号产生的心理与情感关系，以及阐述了艺术语言符号生成的逻辑基础，同时讨论了艺术语言符号生成的语境基础。 第四部分从二元性的角度出发，具体分析了语言符号的能指和所指以及二者之间的关系，提出艺术语言符号的类别基础是能指和所指的不一一对应关系。同时分析了艺术语言符号的两种类别样式。 结论部分对全文的内容作了概要的总结，陈述了本文的优点和不足之处。
[Abstract]:Artistic language is a variation of speech and an important tool for human expression. This paper draws lessons from the theory and research method of semiotics, analyzes the characteristics of artistic language as a language symbol, and shows that the artistic language symbol is different from the construction mode of scientific language symbol as a special form of speech symbol. This paper probes into the various causes of the generation of artistic language symbols and the two kinds of forms arising therefrom. The thesis tries to provide a new perspective for the study of artistic language from the perspective of semiotics. The first part, "introduction", defines the term "artistic language symbol" used in this paper, summarizes some characteristics of art language, and puts forward the basic research ideas and main research methods of this paper. In the second part, through the introduction of semiotics theory, we try to find the junction point between semiotics and artistic language, and discuss the differences between artistic language symbols and scientific languages from the two aspects of characteristics and functions. The third part analyzes the psychological and emotional relationship between the generation of artistic language symbols, expounds the logical basis of artistic language symbols generation, and discusses the context basis of artistic language symbols generation. In the fourth part, from the perspective of duality, the author analyzes the signifier and signified of linguistic symbols and the relationship between them, and points out that the category basis of artistic linguistic symbols is the non-one-to-one correspondence between signifier and signified. At the same time, it analyzes the two types of artistic language symbols. The conclusion part summarizes the content of this paper, and describes the advantages and disadvantages of this paper.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I045
本文编号：2311173
[Abstract]:Artistic language is a variation of speech and an important tool for human expression. This paper draws lessons from the theory and research method of semiotics, analyzes the characteristics of artistic language as a language symbol, and shows that the artistic language symbol is different from the construction mode of scientific language symbol as a special form of speech symbol. This paper probes into the various causes of the generation of artistic language symbols and the two kinds of forms arising therefrom. The thesis tries to provide a new perspective for the study of artistic language from the perspective of semiotics. The first part, "introduction", defines the term "artistic language symbol" used in this paper, summarizes some characteristics of art language, and puts forward the basic research ideas and main research methods of this paper. In the second part, through the introduction of semiotics theory, we try to find the junction point between semiotics and artistic language, and discuss the differences between artistic language symbols and scientific languages from the two aspects of characteristics and functions. The third part analyzes the psychological and emotional relationship between the generation of artistic language symbols, expounds the logical basis of artistic language symbols generation, and discusses the context basis of artistic language symbols generation. In the fourth part, from the perspective of duality, the author analyzes the signifier and signified of linguistic symbols and the relationship between them, and points out that the category basis of artistic linguistic symbols is the non-one-to-one correspondence between signifier and signified. At the same time, it analyzes the two types of artistic language symbols. The conclusion part summarizes the content of this paper, and describes the advantages and disadvantages of this paper.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：I045
【引证文献】
相关硕士学位论文 前5条
1 朱毅;论木雕在室内环境中的运用及装饰性[D];中南林业科技大学;2008年
2 杨广荣;浮雕艺术在室内装饰设计中的应用研究[D];南京林业大学;2011年
3 彭杰;现代装饰浮雕艺术的应用与实践研究[D];中南林业科技大学;2011年
4 李良;当代浮雕壁画的艺术语言研究[D];西南大学;2006年
5 刘健;创作语言结构分析[D];中央美术学院;2010年
本文编号：2311173
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