艺术过去的形态:东方与西方的比较
发布时间：2019-01-03 11:37
【摘要】：中国艺术家与西方艺术家最大的不同就在于他们因处于迥异的"有效的传承体系"之中而拥有了各自不同的生活意味。中西艺术家对"临摹"和"传承"等理念独特的理解,不仅造就了中西各具特色的艺术家世界以及艺术传统,更使中西艺术史呈现出大相径庭的哲学形态。然而,现代主义在中国和西方的发生却有着极其相似的痕迹,它们无不想冲破这些因年深日久而根深蒂固的观念方式的壁垒,以重新构架我们同过往历史的关系。而艺术家骨髓里的"现代性"则体现为不再膜拜传统,而是开始质疑权威并进行文化反省,当然其中不乏许多似是而非的文化自谴,致使国家民族艺术在此进程当中,丧失了自身别具一格的魅力,牺牲了某些个性的特质。
[Abstract]:The biggest difference between Chinese artists and Western artists is that they have different life meanings because they are in the different "effective inheritance system". Chinese and Western artists' unique understanding of the concepts of "copying" and "inheritance" not only brings up the unique artistic world and artistic tradition of China and the West, but also makes the history of Chinese and Western art show a very different philosophical form. However, modernism in China and the West has a very similar trace, they do not want to break through these old deep-rooted ideas of the way barriers to re-frame our relationship with the past history. The "modernity" in the artist's bone marrow is reflected in the fact that he no longer worships tradition, but begins to question authority and conduct cultural reflection. Of course, there are many specious cultural retribution, which leads to the national art in this process. The loss of their own unique charm, at the expense of certain personality characteristics.
【作者单位】： 哥伦比亚大学哲学系;东南大学艺术学院;《艺术百家》杂志社;
【分类号】：J0-03
，
本文编号：2399316
[Abstract]:The biggest difference between Chinese artists and Western artists is that they have different life meanings because they are in the different "effective inheritance system". Chinese and Western artists' unique understanding of the concepts of "copying" and "inheritance" not only brings up the unique artistic world and artistic tradition of China and the West, but also makes the history of Chinese and Western art show a very different philosophical form. However, modernism in China and the West has a very similar trace, they do not want to break through these old deep-rooted ideas of the way barriers to re-frame our relationship with the past history. The "modernity" in the artist's bone marrow is reflected in the fact that he no longer worships tradition, but begins to question authority and conduct cultural reflection. Of course, there are many specious cultural retribution, which leads to the national art in this process. The loss of their own unique charm, at the expense of certain personality characteristics.
【作者单位】： 哥伦比亚大学哲学系;东南大学艺术学院;《艺术百家》杂志社;
【分类号】：J0-03
，
本文编号：2399316
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