先秦神鬼艺术中的苦难美学
发布时间：2019-01-03 11:48
【摘要】：在中国的文化中,神鬼艺术自古而生,它作为观念,因对生命的渴望,希望能延续不灭,深深的在民众思想中扎根,成为民众思想中根深蒂固的存在物；作为行为,它至今五彩纷呈的呈现在人们的日常生活之中。 法国史学家兼批评家丹纳认为,世界上的一切事物,无论物质方面的还是精神方面的,都可以解释；一切事物的产生、发展、演变及消灭都有规律可循。相较于华夏文明历史中的任何一个年代,先秦的独特性在于,唯有在这一时期,一方面衍生出了中华精神文明强劲的生命源动力,另一方面,又带有着强烈的与现代理性相矛盾的原始思维特征。二者是否存在在一定的关联?如何解释和看待原始思维下神鬼艺术的价值。正是本文研究的目的和初衷所在。 本论文从苦难美学的角度,研究探讨先秦时期神鬼艺术的价值和意义。运用文献法、调查研究法、观察法,从艺术哲学和艺术美学两个维度交叉展开命题,一方面从对先秦时期神鬼艺术的内容和特点的分析去探析苦难美学的内涵。另一方面从苦难美学的角度研究了神鬼艺术的价值。最后进一步探讨了本命题之于现代艺术创作的意义。以期通过本论文的研究和努力为现代艺术创作寻找新的启示和可能。
[Abstract]:In Chinese culture, the art of gods and ghosts has been born since ancient times, it as a concept, because of the desire for life, hope can continue, deeply rooted in the people's thought, become a deep-rooted existence in the popular thought; As a behavior, it is present in people's daily life. French historian and critic Dana believes that everything in the world, both material and spiritual, can be explained, and that there are rules for the emergence, development, evolution and elimination of all things. Compared with any other era in the history of Chinese civilization, the uniqueness of the Pre-Qin Dynasty lies in the fact that, on the one hand, it gave rise to the strong source of life of China's spiritual civilization, on the other hand, And with a strong contradiction with modern rationality of the original thinking characteristics. Is there a certain connection between the two? How to explain and treat the value of spirit and ghost art under primitive thinking. It is the purpose and original intention of this paper. From the point of view of suffering aesthetics, this paper studies the value and significance of the art of gods and ghosts in pre-Qin period. By means of literature, investigation and observation, the thesis starts from the two dimensions of art philosophy and art aesthetics. On the one hand, the connotation of suffering aesthetics is analyzed from the analysis of the contents and characteristics of the art of gods and ghosts in the pre-Qin period. On the other hand, it studies the value of the art of god and ghost from the angle of suffering aesthetics. Finally, the significance of this proposition to modern art creation is further discussed. In order to find new inspiration and possibility for modern art creation through the research and efforts of this paper.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J120.9
本文编号：2399327
[Abstract]:In Chinese culture, the art of gods and ghosts has been born since ancient times, it as a concept, because of the desire for life, hope can continue, deeply rooted in the people's thought, become a deep-rooted existence in the popular thought; As a behavior, it is present in people's daily life. French historian and critic Dana believes that everything in the world, both material and spiritual, can be explained, and that there are rules for the emergence, development, evolution and elimination of all things. Compared with any other era in the history of Chinese civilization, the uniqueness of the Pre-Qin Dynasty lies in the fact that, on the one hand, it gave rise to the strong source of life of China's spiritual civilization, on the other hand, And with a strong contradiction with modern rationality of the original thinking characteristics. Is there a certain connection between the two? How to explain and treat the value of spirit and ghost art under primitive thinking. It is the purpose and original intention of this paper. From the point of view of suffering aesthetics, this paper studies the value and significance of the art of gods and ghosts in pre-Qin period. By means of literature, investigation and observation, the thesis starts from the two dimensions of art philosophy and art aesthetics. On the one hand, the connotation of suffering aesthetics is analyzed from the analysis of the contents and characteristics of the art of gods and ghosts in the pre-Qin period. On the other hand, it studies the value of the art of god and ghost from the angle of suffering aesthetics. Finally, the significance of this proposition to modern art creation is further discussed. In order to find new inspiration and possibility for modern art creation through the research and efforts of this paper.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J120.9
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