相声中仿拟现象的认知研究

发布时间：2018-01-26 03:11

本文关键词： 相声仿拟概念整合理论认知研究　出处：《鲁东大学》2013年硕士论文　论文类型：学位论文

【摘要】：相声是一种语言的艺术。这种以对话为主的表演方式，有着特殊的魅力，承载着中华民族深厚的文化积淀。仿拟，以“旧瓶装新酒”的特色在相声中起着表达意义和产生幽默的重要作用。相声语言一直以来都受到国内学者的关注。之前大部分研究都是从相声语言自身特点及发展过程进行，或者是利用语用中的关联理论对相声中的幽默进行分析。而对仿拟的研究也多限于词汇语用效果等层面,更没有人从认知层面对相声艺术中的仿拟进行研究。本文尝试用Fauconnier提出的概念整合理论阐述相声中的仿拟，以解释相声仿拟现象与意义的构建过程。本文的发现有以下几点：首先，通过运用概念整合理论进行分析，仿拟的仿体空间和本体空间总是相互作用的，，在认知语境的作用下，促成各个空间概念产生关联，这些关联成为认知推理的基础，在合成空间里形成层创结构，即仿拟话语的隐含意义。其次，概念整合网络是概念整合理论的核心。本文结合例子与图示，运用四个子网络各自的运作机制详细分析相声中的仿拟现象，揭示其认知过程。再次，本文将概念整合理论运用到相声仿拟的一种特殊形式-曲仿的研究中。本文发现概念整合理论的四空间模型并不能完全适用于相声中曲仿的解读机制，而仿体空间与本体空间则形成了彼此冲突的触发机制，必须建立第三空间的关联才能对曲仿进行完整的解读，同时例析了背景区的建构对于理解曲仿的重要作用。最后，由于相声语言较大的随意性，不免出现一些不恰当的仿拟形式。通过概念整合来分析相声中仿拟的负偏离现象，揭示了其空间冲突和难以整合的特点。但文章也指出，由于相声语言幽默的需要，一些仿拟的负偏离现象也为听者所接受。本文通过对具体相声语料的分析证明概念整合理论对相声中仿拟现象研究的可行性，从而为相声研究提供了一个新的研究角度，同时也扩大了概念整合理论的解释范围。
[Abstract]:Crosstalk is a language of art. This dialogue based on the performance, has a special charm, bearing the profound cultural accumulation of the Chinese nation. The new wine in old bottle plays an important role in expressing meaning and producing humor in crosstalk. Crosstalk language has always been the focus of domestic scholars. Previously, most of the research was carried out from the characteristics and development process of crosstalk language. Or the relevance theory of pragmatics is used to analyze the humor in crosstalk, and the study of imitation is limited to lexical and pragmatic effects and so on. No one has studied the parody of crosstalk art from the cognitive level. This paper attempts to use the conceptual integration theory proposed by Fauconnier to explain the parody in crosstalk. In order to explain the cross-talk imitation phenomenon and the meaning of the construction process. The findings of this paper are as follows: first, through the use of conceptual integration theory to analyze, parody space and ontology space always interact, under the role of cognitive context. These associations form the basis of cognitive reasoning, creating structures in synthetic space, that is, the implicit meaning of parody utterances. Conceptual integration network is the core of conceptual integration theory. In this paper, with examples and illustrations, the simulation phenomenon in crosstalk is analyzed in detail by the operation mechanism of four sub-networks, and the cognitive process is revealed. In this paper, the concept integration theory is applied to the study of a special form of crosstalk imitation, and it is found that the four-space model of conceptual integration theory can not be fully applied to the interpretation mechanism of cross-talk simulation. On the other hand, the parody space and the ontology space have formed the trigger mechanism which conflicts with each other, must establish the third space correlation to carry on the complete interpretation to the qu imitation. At the same time, the paper analyzes the important role of the construction of background area in understanding qu imitation. Finally, because of the randomness of crosstalk language. The negative deviation of parody in crosstalk is analyzed through conceptual integration, which reveals the characteristics of spatial conflict and difficulty of integration. Because of the need of cross-talk humor, some negative deviation phenomena of imitation are also accepted by listeners. This paper proves the feasibility of conceptual integration theory in the study of mimicry phenomenon in crosstalk through the analysis of specific crosstalk corpus. Therefore, it provides a new research angle for crosstalk research, and also expands the scope of explanation of conceptual integration theory.
【学位授予单位】：鲁东大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H15

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