象形、象意与表意——论汉字审美符号的存在方式

发布时间：2018-03-02 06:08

本文关键词： 三书说汉字审美符号存在方式立象以尽意　出处：《南京师大学报(社会科学版)》2014年05期 　论文类型：期刊论文

【摘要】：唐兰先生在"六书说"的基础上,提出"象形、象意、形声"的"三书说",裘锡圭先生对唐说提出质疑,提出了"表意、假借、形声"的"新三书说"。"旧新三书说"把"意"变成了低一层次的概念,在一定程度上消解了汉字"象"的因素,其主要缺陷是对汉字这种审美符号的存在方式缺乏一种特异性的自觉和同情。而汉字中或凝练或抽象的形象,往往是事物精华的浓缩和概括,透过汉字的形象,可以看到中国人的观念的凝聚。中国精神与中国知识,以仍然鲜活的形式,体现在文字的创造中。"象"与"意"作为一种特殊的统一体,在汉字的发展史中,起着深刻的作用。汉字构形中的"抽象",表现了汉字写"意"的特点,唤醒了我们对中国艺术"写意"的传统意识。象形、象意,包含着"象"与"意"两大传统的交融,并通过"象外之象"、"意外之意",开辟辽阔浩渺的审美空间。因此,我们对汉字的认识必须超越认识层面,进入美学探索的境界。
[Abstract]:On the basis of the "six Book Theory," Mr. Tang Lan put forward the "three book theory" of "pictogram, image meaning, shape sound". Mr. Qiu Xigui questioned Tang's theory and put forward "ideographic meaning, false loan." The theory of "new three books" in "form and sound". "the theory of the old and the new three books" has turned "meaning" into a concept of a lower level, which to a certain extent dispels the factor of "image" of Chinese characters. Its main defect is the lack of a specific consciousness and sympathy for the existence of aesthetic symbols such as Chinese characters, and the condensed or abstract images of Chinese characters are often the condensation and generalization of the essence of things, and through the images of Chinese characters, We can see the cohesion of Chinese ideas. The Chinese spirit and Chinese knowledge are embodied in the creation of characters in a still fresh form. As a special unity, the "image" and "meaning" are in the history of the development of Chinese characters. The "abstraction" in the configuration of Chinese characters shows the characteristics of writing "meaning" in Chinese characters and awakens our traditional consciousness of "freehand brushwork" in Chinese art. Therefore, our understanding of Chinese characters must go beyond the level of cognition and enter the realm of aesthetic exploration.
【作者单位】：南京师范大学文学院;
【分类号】：H0-05

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