广义文字视阈下东巴画与东巴文字的关系研究

发布时间：2018-05-28 21:12

本文选题：东巴木牌画 + 东巴文字　；参考：《中国海洋大学》2013年硕士论文

【摘要】：《广义文字视阈下东巴画与东巴文字关系研究》一文由绪论、东巴文字研究综述、东巴木牌画、东巴木牌画画稿和东巴经书中东巴文字的关系例析、图文关系的广义文字观、结语以及参考文献等组成。绪论包括选题宗旨、选题价值、选材说明、研究方法四部分。第一章首先对基于图文关系所做的东巴文字性质研究做了简述，其次对东巴画与东巴文字的关系研究做了简单阐述。第二章介绍了东巴画的种类以及大祭风仪式下东巴木牌画画稿的相关内容。东巴画从形式和内容分为竹笔画、纸牌画、卷轴画和木牌画。同时，作为文章的研究对象，对大祭风仪式用东巴木牌画做了简单介绍。第三章分两部分：第一部分首先从图文关系角度根据图文异质元素表意的疏密程度对东巴木牌画画稿进行了两大分类，即图文共现平行表意、图文共现交叉表意。其次，对经书用东巴文字里存在的图画表意现象进行了统计例析。最后，采用了“同素比较”的方法，将东巴木牌画画稿和东巴经书两种异质载体里表达相同意义的元素进行了列表比较，，从而清晰地看到东巴木牌画画稿和东巴经书用东巴文字的关系。第二部分总结了东巴木牌画和东巴文字在图文关系中的广义文字学。并分别从模糊性和偏离性进行了关系归纳。结语：（一）“图画文字”的交互演进论；（二）文字发展的渐变论。
[Abstract]:A study on the relationship between Dongba painting and Dongba characters from the Perspective of Generalized characters. An introduction, a summary of Dongba characters, an analysis of the relationship between Dongba characters and Dongba characters in Dongba Scriptures, and a generalized literal view on the relationship between pictures and characters. Conclusion and reference. The introduction includes four parts: the purpose, the value, the material selection and the research method. In the first chapter, a brief introduction is made to the study of the character of Dongba characters based on the relationship between pictures and text, and then the study on the relationship between Dongba painting and Dongba characters is briefly described. The second chapter introduces the types of Dongba painting and the related contents of Dongba wooden brand drawing. Dongba painting from the form and content is divided into bamboo strokes, cards, scroll painting and wooden card painting. At the same time, as the research object of the article, the paper makes a brief introduction to Dongba wooden card painting. Chapter III is divided into two parts: In the first part, according to the density degree of heterogeneous elements, the paper classifies Dongba wooden brand drawing draft from the angle of graph and text relations, that is, parallel representation of picture and text, and cross representation of picture and text. Secondly, the phenomenon of picture ideographic meaning in Dongba characters is analyzed. Finally, using the method of "the same element comparison", the paper compares the elements of Dongba Mu brand drawing manuscript and Dongba sutras which express the same meaning in two kinds of heterogeneous carriers. Thus clearly see Dongba wooden brand drawing and Dongba scriptures with Dongba characters relationship. The second part summarizes the general philology of Dongba wooden brand painting and Dongba characters in the relationship between picture and text. The relationship between fuzziness and deviation is summarized respectively. Conclusion: (1) the interactive evolution of "pictorial characters"; second, the theory of gradual change in the development of characters.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：H257;J205

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