谈话类娱乐节目《康熙来了》的叙事研究
发布时间：2018-10-21 15:47
【摘要】：中国电视谈话节目的历史可以追溯到上世纪90年代,谈话类娱乐节目作为谈话节目的重要组成部分,近十年来在中国发展迅速。然而,在现今中国林林总总的谈话类娱乐节目中,能够经久不衰并被观众津津乐道的却很少,其中重要的一个原因是其叙事艺术的简陋和平庸。叙事学一直以来作为研究文学作品结构的学科,拥有着深厚的理论基础。将其用于谈话类娱乐节目的分析,可以为谈话类娱乐节目的发展提供新的视野。 本文试图从叙事学的角度对谈话类娱乐节目的代表之一——《康熙来了》进行综合分析,在论述中,本文将该节目作为叙事文本,从叙事主体、叙事结构、叙事技巧、叙事语言四个方面逐一展开分析,总结出了该节目的叙事特点,并得出结论：娱乐类谈话节目应该让娱乐回归谈话内容本身,只有在叙事艺术上精益求精才是其得以长久生存的唯一方法。本文为我国娱乐类谈话节目的发展提出了合理建议,也为该类节目的研究提供了一种新的视角。
[Abstract]:The history of Chinese TV talk shows can be traced back to the 1990s. As an important part of talk shows, talk entertainment programs have developed rapidly in China in the past decade. However, in all kinds of talk entertainment programs in China, few of them can survive and be talked about by the audience, one of the important reasons is the rudimentary and mediocre narrative art. Narratology has always been a subject of studying the structure of literary works and has a deep theoretical foundation. It can provide a new vision for the development of conversation entertainment programs. This paper attempts to make a comprehensive analysis of one of the representatives of talking entertainment programs from the perspective of narratology. In the discussion, the program is regarded as a narrative text, from the narrative subject, the narrative structure, the narrative skills. The four aspects of narrative language are analyzed one by one, and the narrative characteristics of the program are summarized, and the conclusion is drawn that entertainment talk shows should return entertainment to the content of the conversation itself. The only way to survive long-term is to strive for perfection in narrative art. This paper provides reasonable suggestions for the development of entertainment talk shows in China, and also provides a new perspective for the research of entertainment talk shows.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G222;H136
本文编号：2285584
[Abstract]:The history of Chinese TV talk shows can be traced back to the 1990s. As an important part of talk shows, talk entertainment programs have developed rapidly in China in the past decade. However, in all kinds of talk entertainment programs in China, few of them can survive and be talked about by the audience, one of the important reasons is the rudimentary and mediocre narrative art. Narratology has always been a subject of studying the structure of literary works and has a deep theoretical foundation. It can provide a new vision for the development of conversation entertainment programs. This paper attempts to make a comprehensive analysis of one of the representatives of talking entertainment programs from the perspective of narratology. In the discussion, the program is regarded as a narrative text, from the narrative subject, the narrative structure, the narrative skills. The four aspects of narrative language are analyzed one by one, and the narrative characteristics of the program are summarized, and the conclusion is drawn that entertainment talk shows should return entertainment to the content of the conversation itself. The only way to survive long-term is to strive for perfection in narrative art. This paper provides reasonable suggestions for the development of entertainment talk shows in China, and also provides a new perspective for the research of entertainment talk shows.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G222;H136
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