朱生豪与卞之琳《哈姆雷特》中译本素体诗音乐性之比较研究

发布时间：2021-05-22 22:10

　　自从1623年第一部《莎士比亚全集》问世以来,他的三十七部戏剧即被译成多种语言。约一百五十年以前,“莎士比亚”这一名字传入了中国,他的戏剧也在二十世纪初叶有了中文译本。莎剧的特点之一在于大多用素体诗写就。例如在《哈姆雷特》中,约有60%为素体诗。从这种意义上可以说,如何翻译素体诗为决定译本是否成功的关键。选择《哈姆雷特》作为文本分析的原因在于悲剧在莎剧中最为著名,而《哈姆雷特》作为四大悲剧之一更是被卞之琳称作“莎士比亚的中心作品,最丰富的作品”。（1989：1）根据翻译中文体选择的不同,我国莎剧翻译可分为两个流派,一是以朱生豪为代表的散文体派,一是以卞之琳为代表的诗体派。近八十年来,《哈姆雷特》的各个译本受到广泛关注,但其中素体诗译文的音乐性较少人问津,而对其进行比较研究的更是少之又少。基于上述原因,本文通过比较朱生豪、卞之琳的《哈姆雷特》译本来分析其在素体诗移植中如何实现译文的音乐性传递,并希望能为莎剧的翻译和重译带来一定启发。本文分为五章。第一章简要介绍了诗歌的音乐性特征,包括节奏、韵律和修辞,并回顾了素体诗的发展历程,对莎翁、《哈姆雷特》及其中文译本也作了相应叙述。第二、三、四章... 

【文章来源】：西南交通大学四川省 211工程院校 教育部直属院校

【文章页数】：154 页

【学位级别】：硕士

【文章目录】：
摘要
Abstract
Chapter One Introduction
    1.1 Musical Features in Verse
        1.1.1 Rhythm
        1.1.2 Rhyme
        1.1.3 Other Devices
    1.2 Blank Verse
        1.2.1 The Introduction of Blank Verse
        1.2.2 Blank Verse and Drama
        1.2.3 Blank Verse and Hamlet
    1.3 Hamlet's Chinese Versions
Chapter Two Zhu's and Bian's Rhythm
    2.1 Foot and Dun
        2.1.1 Similarity
        2.1.2 Difference
    2.2 Dun's Definition
        2.2.1 Dun and Pause
        2.2.2 Dun's Definition in Zhu's Version
        2.2.3 Dun's Definition in Bian's Version
    2.3 Character's Number in a Dun
        2.3.1 Character's Number
        2.3.2 Function Word's Division
        2.3.3 Foreign Name's Division
    2.4 Dun's Number in a Sentence/Line
        2.4.1 Dun's Features
        2.4.2 Rhythmic Effects
    2.5 Summary
Chapter Three Zhu's and Bian's Rhymes
    3.1 From Blank Verse to Rhymed Lines
        3.1.1 Chinese Poetic Tradition
        3.1.2 Target Readers' Expectance
        3.1.3 Rhyme's Functions
    3.2 End Rhyme
        3.2.1 Simple Rhyme Schemes
        3.2.2 Complicated Rhyme Schemes
    3.3 Imperfect Rhyme
        3.3.1 Simple Rhyme Schemes
        3.3.2 Complicated Rhyme Schemes
    3.4 Internal Rhyme
        3.4.1 Open Internal Rhymes
        3.4.2 Semi-open Internal Rhymes
        3.4.3 Close Internal Rhymes
    3.5 Other Sound Devices
        3.5.1 Alliterative Compound and Rhyming Compound
        3.5.2 Piled Reiteration
Chapter Four Zhu's and Bian's Rhetorical Devices
    4.1 Repetition
        4.1.1 Continuous Repetition
        4.1.2 Discontinuous Repetition
    4.2 Antithesis
        4.2.1 Phrase Antithesis
        4.2.2 Sentence Antithesis
    4.3 Parallelism
        4.3.1 Phrase Parallelism
        4.3.2 Clause Parallelism
        4.3.3 Sentence Parallelism
Chapter Five Conclusion
Acknowledgements
Bibliography
Publications While Registered with the MA Program
Appendix 1 Dun's Number in Zhu's Version
Appendix 2 End Rhyme
Appendix 3 Imperfect Rhyme
Appendix 4 Internal Rhyme
Appendix 5 Other Sound Devices
Appendix 6 Continuous Repetition
Appendix 7 Discontinuous Repetition
Appendix 8 Antithesis
Appendix 9 Parallelism


【参考文献】：
期刊论文
[1]莎剧的翻译:从散文体到诗体译本——兼评方平主编《新莎士比亚全集》[J]. 蓝仁哲.  中国翻译. 2003(03)



本文编号：3201744