现代汉语戏曲词语泛化研究

发布时间：2018-03-04 05:16

本文选题：戏曲词语　切入点：词义泛化　出处：《河北大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文以《现代汉语词典》(第6版)和《中国戏曲曲艺词典》、《中国古代戏剧辞典》和《京剧文化词典》这三部戏曲类的词典中的戏曲词语为研究对象,并参考北大语料库例证筛选和整理出现代汉语中泛化的戏曲词语,梳理其泛化概貌,根据戏曲义的内容归纳出语义类别,从语料库的统计分析中分析戏曲词语的词义泛化程度,从戏曲词语的泛化现象和变化发展的研究得出其泛化动因。第一章主要介绍了本文的研究对象,并对前人的研究现状进行梳理,分为词义泛化研究、戏曲词语及其泛化研究现状,指出了本文的研究目的、研究方法、语料来源等。第二章主要介绍了现代汉语泛化戏曲词语的概貌。首先对戏曲词语与泛化的戏曲词语进行了界定,然后对泛化的戏曲词语进行了筛选,排除了不符合条件的戏曲词语。我们还对泛化的语言学特征进行了考察,即以双音节为主,有部分三音节和四音节词;由短语和词两部分构成,词性主要集中在动词、名词两大类上。第三章主要按照词语所表现的内容,我们将戏曲词语分成了九大语义类别,即行当及人物类、表演类、剧场舞台类、戏曲形式类别、演出过程类、创作评论类、演出效果类、音乐类、其他类,一些大类中又划分出一些小类,对每一小类词语泛化特点进行了例证分析,并发现其呈现出类别多样化、泛化数量不均衡等特点。第四章主要是对戏曲词语的泛化领域、方式及动因进行了分析探讨。戏曲词语泛化到了体育、政治、军事、经济、日常生活等多个领域;泛化方式即隐喻式、转喻式,隐喻式又分为行为、性状、作用三方面;分析探讨了戏曲词语泛化的动因,分外部、内部、认知三方面,这些有利于我们从新的角度认识戏曲词语。第五章主要根据戏曲词语泛化使用情况将其分为比重不同的四个阶段,并举例进行了分析,还对戏曲词语的引申发展情况进行了探讨。
[Abstract]:This paper focuses on the Chinese opera words and expressions in the Chinese Modern Chinese Dictionary (6th Edition), the Chinese Opera Dictionary, the Ancient Chinese Drama Dictionary and the Beijing Opera Culture Dictionary. Referring to the examples of Peking University corpus, this paper selects and arranges the generalized Chinese opera words, combs its generalization, induces the semantic categories according to the content of the opera meaning, and analyzes the meaning generalization degree of the opera words from the statistical analysis of the corpus. The first chapter mainly introduces the research object of this paper, and combs the current research situation of predecessors, which is divided into word meaning generalization research. The present situation of the study of opera words and its generalization, the purpose and method of this paper are pointed out. The second chapter mainly introduces the general picture of the modern Chinese opera words. Firstly, it defines the opera words and the generalized opera words, and then selects the generalized opera words. We have also examined the general linguistic features, namely, two-syllable, some three-syllable and four-syllable words, which are composed of two parts of phrases and words, and the part of speech is mainly concentrated on verbs. In the third chapter, according to the content of the words, we divide the opera words into nine major semantic categories, namely, industry and characters, performances, theatrical stage, opera form, performance process, and creative criticism. The performance effect category, music class, other class, some large categories and some small categories are divided into some small categories. The generalizations of each small category of words are illustrated and analyzed, and it is found that they present a variety of categories. Chapter 4th mainly analyzes and discusses the field, ways and causes of the generalization of opera words and expressions, and generalizes to sports, politics, military affairs, economy, daily life and so on. The generalizations are metaphorical, metonymy, metaphorical, and metaphorical, which can be divided into three aspects: behavior, character and function, and analyzes the motivation of the generalization of Chinese opera words, which is divided into three aspects: external, internal and cognitive. These are helpful for us to understand opera words from a new angle. Chapter 5th mainly divides opera words into four stages with different proportions according to their generalization, and gives an example to analyze them. It also discusses the extension and development of opera words and expressions.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H136

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