《平凡的世界》“哭”的修辞阐释

发布时间：2018-05-02 15:16

本文选题：平凡的世界 + “哭”　；参考：《阜阳师范学院》2017年硕士论文

【摘要】：本文在分析《平凡的世界》现有研究成果的基础上,以广义修辞学修辞功能三层面为基本框架,采用文献分析法、定量与定性相结合的分析方法,并结合文化语言学、民俗语言学、词汇学等语言学分支学科理论对携带审美意义的修辞要素“哭”做修辞阐释,以期通过“哭”的修辞阐释帮助读者更加深刻地感悟路遥独特的审美思维,激发读者对现实生存状态的思考。论文第一章绪论部分首先从四个方面分析作品《平凡的世界》的研究现状,并指出本文的研究意义、写作思路及创新点。第二章是有关路遥在文本建构中对修辞要素“哭”的自觉选择的分析,作家有意识地遵循“哭”的文学书写传统,将“哭”的文化内涵融入到整个文本中,293处的高频描写使“哭”成为小说文本修辞链上的重要一环。第三章对《平凡的世界》文本中“哭”的类型和语言形式做详细分析,探析路遥在修辞技巧层面对修辞要素“哭”的处置倾向。“哭”在文本中呈现出的多种类型、“哭”的辞格巧妙运用和“哭”的词语超常搭配都集中体现了路遥自觉的话语建构意识和高超的修辞技巧。第四章就“哭”在人物形象的塑造和文本叙事的推进中所具有的修辞功能展开分析,探明“哭”在修辞诗学层面对《平凡的世界》文本建构所具有的重要意义。“哭”凝筑的人物形象成为作家修辞意图统摄下象、意、情的统一体,是文本建构必不可少的修辞要素。同时,“哭”也贯穿孙少安、孙少平和田福军三人从出场到退场的叙事过程,使《平凡的世界》三条叙事线索相互交叉着发展下去,架构起庞大的叙事网络。第五章从“哭”对作者生存现实的映射作用和对读者行为意向的引领作用两个角度展开论析,思考“哭”在修辞哲学层面如何参与主体的精神建构。“哭”从物质、精神和文化心理三个方面建构路遥的生存现实,又以映射作家的生存哲学和道德品质的方式解构了这种现实。同时,“哭”建构的修辞化现实又介入读者的现实生存,产生一种积极的修辞效果。结语部分对全文做简要概括,同时指出本文的不足之处。
[Abstract]:On the basis of analyzing the existing research results of the ordinary World, this paper takes the three levels of rhetoric function of generalized rhetoric as the basic framework, adopts the method of literature analysis, combining quantitative analysis with qualitative analysis, and combining with cultural linguistics. The theories of folk custom linguistics, lexicology and other branches of linguistics explain the rhetorical factor "crying" with aesthetic meaning in order to help readers understand Lu Yao's unique aesthetic thinking more deeply through the rhetorical interpretation of "crying". Stimulate readers to the reality of the living state of thinking. In the first chapter of the thesis, the author analyzes the current situation of the research of the ordinary World from four aspects, and points out the significance, writing ideas and innovation of this paper. The second chapter is about Lu Yao's conscious choice of "crying" in the text construction. The writer consciously follows the literary writing tradition of "crying". Integrating the cultural connotation of "crying" into the high frequency description of 293 places in the whole text makes "crying" an important link in the rhetorical chain of the novel text. The third chapter makes a detailed analysis of the types and language forms of "crying" in the text of "the ordinary World", and probes into Lu Yao's disposition of the rhetorical element "crying" at the level of rhetorical skills. There are many types of "crying" in the text. The skillful use of "cry" and the supernormal collocation of "cry" all embody Lu Yao's conscious sense of discourse construction and superb rhetorical skills. The fourth chapter analyzes the rhetorical function of "crying" in the shaping of characters' image and the promotion of text narration, and explores the significance of "crying" in the construction of the text of the ordinary World at the rhetorical poetics level. The figure of "crying" becomes the unity of the writer's rhetorical intention to dominate the image, meaning and emotion, which is the essential rhetorical element in the construction of the text. At the same time, crying also runs through the narrative process of Sun Shaoan, Sun Shaoping and Tian Fujun from appearance to exit, so that the three narrative clues of the ordinary World intersect with each other and construct a huge narrative network. The fifth chapter analyzes the mapping function of "crying" to the author's existence reality and the leading role of the reader's behavior intention, and thinks about how "crying" can participate in the spiritual construction of the subject at the level of rhetoric philosophy. "crying" constructs Lu Yao's existence reality from three aspects of material, spiritual and cultural psychology, and deconstructs it in a way that reflects the writer's survival philosophy and moral character. At the same time, the rhetorical reality constructed by crying interferes with the reader's existence and produces a positive rhetorical effect. The conclusion part makes a brief summary of the full text, and points out the deficiency of this paper.
【学位授予单位】：阜阳师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H15

【参考文献】