再论虚构叙述的“双层区隔”原理——对王长才与赵毅衡商榷的再理解

发布时间：2018-06-19 22:19

本文选题：“双层区隔”原理 + 二度区隔　；参考：《南昌大学学报(人文社会科学版)》2017年02期

【摘要】：虚构叙述虽不具有现实指称性,但可以经历从经验到纪实再到虚构的转化,对虚构叙述的接收最终必然还原为感知经验。虚构叙述是“再现中的进一步再现”,并非再现两次必然为虚构,而是虚构必然被再现两次,必然与经验世界隔两层。文化程式不但是判断虚构叙述的主要依据,而且是叙述对象的指称性的判断依据。区隔框架与叙述者框架是重合的,区隔问题与叙述分层问题也是重合的,它们是对同一现象的不同观察角度。区隔可以有多度区隔。双层区隔是纯抽象思考,并非每个区隔都在文本中有具体显现。虚构叙述的“双层区隔”原理的发现是对广义叙述学的重大贡献。
[Abstract]:Although fictional narration is not realistic referential, it can go through the transformation from experience to record and then to fiction, and the reception of fictional narration will inevitably be reduced to perceptual experience. Fictional narration is "further reappearance in reappearance", which is not necessarily fictional twice, but must be reproduced twice, and must be separated from the world of experience. Cultural program is not only the main basis of judging fictional narration, but also the referential basis of narrative object. The discriminative frame and the narrator frame are overlapped, and the partition problem and the narrative stratification problem are also overlapped. They are different observation angles of the same phenomenon. There can be many degrees of partition. Double-level partition is pure abstract thinking, not every partition has concrete manifestation in the text. The discovery of the principle of double compartment in fictional narration is a great contribution to the theory of generalized narratology.
【作者单位】：四川师范大学文学院;
【分类号】：H0-06

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