长沙花鼓戏中的方言运用研究

发布时间：2018-06-22 22:13

本文选题：长沙花鼓戏 + 方言运用　；参考：《湖南师范大学》2016年硕士论文

【摘要】：方言作为语言的变体,承载着丰富的地域文化,具有独特的表现力。随着国家开始对优秀的传统文化实施非物质文化遗产保护,长沙花鼓戏的传承发展出现生机。长沙花鼓戏用长沙方言进行演唱,湖湘味儿浓。本文从运用的角度对长沙花鼓戏中的方言现象进行系统研究,把方言理论与花鼓戏实践结合起来,主要考察长沙方言在长沙花鼓戏中的运用情况,重点分析方言要素在长沙花鼓戏中的运用策略及其表现功能,并尝试探讨方言在长沙花鼓戏中运用的合理性与局限性。全文主要包括以下几个部分:一、绪论。简要介绍了长沙花鼓戏的流布区域、源流沿革、班社组织、剧目、音乐唱腔等基本情况;分别对戏曲与语言、湖南花鼓戏和长沙花鼓戏的研究现状进行综述;阐释本文的研究内容和研究意义;交代本文的研究方法和步骤及语料来源;列出长沙方言音系。二、长沙花鼓戏中方言运用的总体情况。探讨长沙花鼓戏中方言运用的特点;分析长沙花鼓戏中方言脚本语言与舞台语言的差异;探讨长沙花鼓戏中方言运用的合理性与局限性。三、长沙花鼓戏中方言语音的运用及其表现功能。这部分主要对长沙花鼓戏中的方言语音运用情况进行研究。研究内容有:长沙花鼓戏音系,长沙花鼓戏音系与长沙方言音系的差异及其原因,长沙花鼓戏曲调与长沙方言字调的关系,长沙花鼓戏演唱中的咬字、吐字与归韵收音,别具一格的节奏和重音,押韵,谐音等。四、长沙花鼓戏中的方言词语运用及其表达效果。主要从长沙花鼓戏中的方言名词、方言动词、方言形容词、方言俗语的运用及其表达效果进行分析。五、长沙花鼓戏中的方言修辞的运用及其表达效果。这部分对长沙花鼓戏中的方言修辞比喻、排比、夸张、双关的运用及其表达效果进行考察。六、结语。对本文研究进行总结,归纳本文的主要观点与创新之处,并指出论文的不足之处和有待进一步研究的问题。
[Abstract]:Dialect, as a variant of language, carries rich regional culture and has unique expressive force. As the country begins to protect the excellent traditional culture, the inheritance and development of Changsha Flower Drum Opera is alive. Changsha Flower Drum Opera is sung in Changsha dialect, and the taste of Huxiang is strong. This article from the angle of application to Changsha flower The dialect phenomenon in the drum play is systematically studied, combining the dialectal theory with the practice of Flower Drum Opera, mainly investigating the application of Changsha dialect in Changsha Flower Drum Opera, focusing on the application strategies and performance functions of dialect elements in Changsha Flower Drum Opera, and trying to explore the rationality and limitations of the application of dialect in Changsha Flower Drum Opera. The full text mainly includes the following parts: first, the introduction. Brief introduction of the Changsha Flower Drum Opera area, origin and flow evolution, class organization, plays, music singing and other basic situations; the study of opera and language, Hunan Flower Drum Opera and Changsha Flower Drum Opera present situation, explain the research content and significance of this article; The research methods and steps and the source of the language materials; list the Changsha dialect phonology. Two, the general situation of dialect use in Changsha Flower Drum Opera. Discuss the characteristics of dialect use in Changsha Flower Drum Opera; analyze the differences between the dialect script language and the stage language in Changsha Flower Drum Opera; explore the rationality and limitation of dialect use in Changsha Flower Drum Opera. The application and function of dialect phonetics in Sha Hua drum play. This part mainly studies the use of dialect phonetics in Changsha Flower Drum Opera. The research contents include the differences and reasons of Changsha Flower Drum Opera phonology, Changsha Flower Drum Opera phonology and Changsha dialect phonology, the relationship between the tune of Changsha Flower Drum Opera and the dialect of Changsha dialect, the Changsha flower drum Four, the use of dialect words and expressions in Changsha Flower Drum Opera, mainly from the dialect nouns in Changsha Flower Drum Opera, dialect verbs, dialect adjectives, dialect adjectives and their expression effects. Five, Changsha Flower Drum Opera. The use of dialectal rhetoric and the effect of its expression. This part examines the use of dialects in Changsha Flower Drum Opera, the use of rhetorical figures, hyperbole, pun and its expression effect. Six, concluding conclusion, summarizing the main views and innovations of this paper, and pointing out the shortcomings and further research of the paper. Problem.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H174

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